English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
This lady of the luting tongue,
The flash in darkness, billow's grace.
For thee the worship; for the young
In muscle the embrace.
Soar on thy manhood clear for those
Whose toothless Winter claws at May,
And take her as the vein of rose
Athwart an evening grey.
I have left out the most cruel verses; but these are significant
enough. The person addressed might be one of those old generals or
admirals who figure so often in the novels of Meredith, some brave old
man, with a great reputation for courage and skill and the arts of
courtesy. Such men may be able to win a young wife, rather by help of
their wealth, social position, and reputation than by real love. The
poet says that one should not try to do this. And he says that the man
who does it, or wishes to do it, is like a skilful captain who trusts
too much to his seamanship, forgetting that his vessel is in a state
of decay. The heart may be young enough, but that is not sufficient.
Nature seems to love and favour grand old men, but not if they do what
is not according to Nature's laws. Therefore if marriages between old
and young prove to be unfortunate, the fault is in most cases with the
old. The old man may admire, may reverence a beautiful young person;
but only as we admire a work of art, at a distance, or beautiful
colours in the sunset sky. Let me call your attention to the use of
the phrases "flash in darkness" and "billow's grace." The Greeks said
that life was like a flash between two darknesses--the darkness of the
mystery out of which we come, and the darkness of the mystery into
which we go. It is a very beautiful and a very profound comparison; the
poet here uses it especially in reference to the beautiful period of
youth, which is short. He suggests that an old man should have wisdom
enough to think of youth and of beauty as passing illusions. "Billow's
grace" is a very striking simile. The charm of movement in a graceful
person is something which no art can reproduce. It is beauty of motion,
and the instant that the motion stops, the charm is not. The beauty of
water, flowing water, is of this kind. Even while you admire the motion
of a wave, gilded by the sunlight, the wave has passed.
Public-domain text, read in full here on John Shaqi.
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