English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
That is to say, man first is impelled by hunger to use weapons, in
order to kill animals, and these weapons he at first must use very
clumsily. You must understand the word "ring" to mean an age or cycle.
The poet wishes to say that through many past ages in succession, man
had the strength of a giant, but his brain, his mind, was feeble and
foolish like that of a little child--not even a child in the common
meaning of the word, for the poet uses the term "infant," signifying
a child before it has yet learned how to speak. It is supposed that
primitive man had no developed languages. But, as time goes on, man
learns how to express thought by speech, and presently he begins to
think about himself--to wonder what he is, where he came from, and
where he is going. Then he invents religious theories to account for
his origin. But the mystery always remains. There are ancient stories
about a magical writing. When you looked at this writing, at first it
seemed to be in one language, and to have one meaning, but when you
looked at it a second time, the letters and the meaning had changed,
and every succeeding time that you looked at it, again it changed. Like
this magical writing is the mystery of Nature, of the Universe; so that
poet represents Nature as wearing a mask upon which such ever-changing
characters appear in letters of fire. No matter how much we learn
or theorise, the infinite riddle cannot be read. And one factor of
this terrible riddle is Death. Death of all things most puzzles and
terrifies man. He sometimes suspects that Nature herself is Death, and
purely evil. He began by worshipping her through fear, but his worship
did not change his destiny in the least.
The thing that shudders most
Within him is the burden of his cry.
Seen of his dread, she is to his blank eye
The eyeless Ghost.
. . . . . . .
Once worshipped Prime of Powers,
She still was the Implacable; as a beast,
She struck him down and dragged him from the feast
She crowned with flowers.
. . . . . . .
He may entreat, aspire,
He may despair, and she has never heed.
She drinking his warm sweat will soothe his need,
Not his desire.
She prompts him to rejoice,
Yet scares him on the threshold with the shroud.
He deems her cherishing of her best-endowed
A wanton's choice.
Public-domain text, read in full here on John Shaqi.
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