English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
So far as the English goes, this verse is plain enough; but unless
you have met with the same idea in some other English writer, you
will find the meaning very obscure. The poet is speaking of a
universal, or almost universal, experience of misplaced love. A man
becomes passionately attached to a woman, who treats him with, cold
indifference. Finally the lover finds out his mistake; the woman
that he loved proves not to be what he imagined; she is not worthy
of his love. Then what was he in love with? With a shadow out of his
brain, with an imagination or ideal very pure and noble, but only an
imagination. Supposing that he was worshipping good qualities in a
noble woman, he deceived himself; the woman had no such qualities; they
existed only in his fancy. Thus he calls her his mirror, the human
being that seemed to be a reflection of all that was good in his own
heart. She never knows the truth as to why the man loved her and then
ceased to love her; he could not tell her, because it would have been
to her "most perfect pain to learn."
A less obscure but equally beautiful symbolism, in another metre, is
"The Honeysuckle."
I plucked a honeysuckle where
The hedge on high is quick with thorn,
And climbing for the prize, was torn,
And fouled my feet in quag-water;
And by the thorns and by the wind
The blossom that I took was thinn'd,
And yet I found it sweet and fair.
Thence to a richer growth I came,
Where, nursed in mellow intercourse,
The honeysuckles sprang by cores,
Not harried like my single stem,
All virgin lamps of scent and dew.
So from my hand that first I, threw,
Yet plucked not any more of them.
Public-domain text, read in full here on John Shaqi.
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