English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
And so they went together one green way
Till April dying made free the world for May;
And on his guide suddenly Love's face turned,
And in his blind eyes burned
Hard light and heat of laughter; and like flame
That opens in a mountain's ravening mouth
To blear and sear the sunlight from the south,
His mute mouth opened, and his first word came;
"Knowest thou me now by name?"
And all his stature waxed immeasurable,
As of one shadowing heaven and lightening hell;
And statelier stood he than a tower that stands
And darkens with its darkness far-off sands
Whereon the sky leans red;
And with a voice that stilled the winds he said:
"I am he that was thy lord before thy birth,
I am he that is thy lord till thou turn earth;
I make the night more dark, and all the morrow
Dark as the night whose darkness was my breath:
O fool, my name is sorrow;
Thou fool, my name is death."
By the term "darkness" in the third line from the end of the above
quotation, we must understand the darkness and mystery out of which
man comes into this world, and comes only to die. This monstrous
symbolism may need some explanation, before you see how very fine the
meaning is. Love, that is the attraction of sex to sex, with all its
emotions, heroisms, sacrifices, and nobilities, cannot be understood
by the young. To them, love is only the physical and the moral charm
of the being that is loved. In man the passion of love becomes noble
and specialised by the development in him of moral, æsthetic, and
other feelings that are purely human. But the attraction of sex, that
is behind all this, is a universal and terrible fact, a tremendous
mystery, whose ultimate nature no man knows or ever will know. Why?
Because if we knew the nature and origin of the forces that create, we
could understand the whole universe, and ourselves, and everything that
men now call mystery. But all that we certainly do know is this, that
we come into the world out of mystery and go out of the world again
back into mystery, and that no mortal man can explain the Whence, the
Why, or the Whither. The first sensations of love for another being
are perhaps the most delicious feelings known to men; the person loved
seems for the time to be more beautiful and good than any one else
in the world. This is what the poet means by describing the first
appearance of love as a beautiful, tender child, innocent and dumb.
But later in life the physical illusion passes away; then one learns
the relation of this seeming romance to the awful questions of life
and death. The girl beloved becomes the wife; then she becomes the
mother; but in becoming a mother, she enters into the very shadow of
death, sometimes never to return from it. Birth itself is an agony,
the greatest agony that humanity has to bear. We come into the world
through pains of the most deadly kind, and leave the world later on in
pain; and what all this means, we do not know.
Public-domain text, read in full here on John Shaqi.
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