Now, such extreme naturalism has been the continuing peril and the
arch foe of every successive civilization. It is the "reversion to
type" of the scientist, the "natural depravity" of the older theology,
the scoffing devil, with his eternal no! in Goethe's _Faust_. It tends
to accept all powerful impulses as thereby justified, all vital and
novel interests as _ipso facto_ beautiful and good. Nothing desirable
is ugly or evil. It pays no attention, except to ridicule them, to
the problems that vex high and serious souls: What is right and wrong?
What is ugly and beautiful? What is holy and what is profane? It
either refuses to admit the existence of these questions or else
asserts that, as insoluble, they are also negligible problems. To all
such stupid moralizing it prefers the click of the castanets! The
law, then, of this naturalism always and everywhere is the law of
rebellion, of ruthless self-assertion, of whim and impulse, of cunning
and of might.
You may wonder why we, being preachers, have spent so much time
talking about it. Folk of this sort do not ordinarily flock to the
stenciled walls and carpeted floors of our comfortable, middle-class
Protestant meeting-houses. They are not attracted by Tiffany glass
windows, nor the vanilla-flavored music of a mixed quartet, nor the
oddly assorted "enrichments" we have dovetailed into a once puritan
order of worship. That is true, but it is also true that these are
they who need the Gospel; also that these folk do influence the
time-current that enfolds us and pervades the very air we breathe and
that they and their standards are profoundly influencing the youth of
this generation. You need only attend a few college dances to be sure
of that! One of the sad things about the Protestant preacher is his
usual willingness to move in a strictly professional society and
activity, his lack of extra-ecclesiastical interests, hence his narrow
and unskillful observations and perceptions outside his own parish and
his own field.
Public-domain text, read in full here on John Shaqi.
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