Of his literary character I have spoken largely in the narrative of his
life, but there are yet one or two remarks which must be made to do it
justice. In that way of writing in which he excelled, it seems to me
that he united, in a pre-eminent degree, those qualities which enabled
him to interest the largest number of readers. He wrote not for the
fastidious, the over-refined, the morbidly delicate; for these find in
his genius something too robust for their liking--something by which
their sensibilities are too rudely shaken; but he wrote for mankind at
large--for men and women in the ordinary healthful state of feeling--and
in their admiration he found his reward. It is for this class that
public libraries are obliged to provide themselves with an extraordinary
number of copies of his works: the number in the Mercantile Library in
this city, I am told, is forty. Hence it is, that he has earned a fame,
wider, I think, than any author of modern times--wider, certainly, than
any author, of any age, ever enjoyed in his lifetime. All his
excellences are translatable--they pass readily into languages the least
allied in their genius to that in which he wrote, and in them he touches
the heart and kindles the imagination with the same power as in the
original English.
Cooper was not wholly without humor; it is sometimes found lurking in
the dialogue of Harvey Birch, and of Leatherstocking but it forms no
considerable element in his works; and if it did, it would have stood in
the way of his universal popularity; since of all qualities, it is the
most difficult to transfuse into a foreign language. Nor did the effect
he produced upon the reader depend on any grace of style which would
escape a translator of ordinary skill. With his style, it is true, he
took great pains, and in his earlier works, I am told, sometimes altered
the proofs sent from the printer so largely that they might be said to
be written over Yet he attained no special felicity, variety, or compass
of expression. His style, however, answered his purpose; it has defects,
but it is manly and clear, and stamps on the mind of the reader the
impression he desired to convey. I am not sure that some of the very
defects of Cooper's novels do not add, by a certain force of contrast,
to their power over the mind. He is long in getting at the interest of
his narrative. The progress of the plot, at first, is like that of one
of his own vessels of war, slowly, heavily, and even awkwardly working
out of a harbor. We are impatient and weary, but when the vessel is once
in the open sea, and feels the free breath of heaven in her full sheets,
our delight and admiration is all the greater at the grace, the majesty,
and power with which she divides and bears down the waves, and pursues
her course, at will, over the great waste of waters.
Public-domain text, read in full here on John Shaqi.
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