He is gone! but the creations of his genius, fixed in living words,
survive the frail material organs by which the words were first traced.
They partake of a middle nature, between the deathless mind and the
decaying body of which they are the common offspring, and are,
therefore, destined to a duration, if not eternal, yet indefinite. The
examples he has given in his glorious fictions, of heroism, honor, and
truth, of large sympathies between man and man, of all that is good,
great, and excellent, embodied in personages marked with so strong an
individuality that we place them among our friends and favorites; his
frank and generous men, his gentle and noble women, shall live through
centuries to come, and only perish with our language. I have said with
our language; but who shall say when it may be the fate of the English
language to be numbered with the extinct forms of human speech? Who
shall declare which of the present tongues of the civilized world will
survive its fellows? It may be that some one of them, more fortunate
than the rest, will long outlast them, in some undisturbed quarter of
the globe, and in the midst of a new civilization. The creations of
Cooper's genius, even now transferred to that language, may remain to be
the delight of the nations through another great cycle of centuries,
beginning after the English language and its contemporaneous form of
civilization shall have passed away. Preface to the New Edition
This book originally owed its existence to an accident, and it was
printed under circumstances that prevented the usual supervision of the
press by the author. The consequences were many defects in plot, style,
and arrangement, that were entirely owing to precipitation and
inexperience; and quite as many faults, of another nature, that are to
be traced solely to a bad manuscript and worse proof reading. Perhaps no
novel of our times was worst printed than the first edition of this
work. More than a hundred periods were placed in the middle of
sentences, and perhaps five times that number were omitted in places
where they ought to have been inserted. It is scarcely necessary to add,
that passages were rendered obscure, and that entire paragraphs were
unintelligible.
Most of the faults just mentioned have now been corrected, though it
would require more labor than would produce an entirely new work, to
repair all the inherent defects that are attributable to haste, and to
the awkwardness of a novice in the art of composing. In this respect,
the work and its blemishes are probably inseparable. Still, the reader
will now be better rewarded for his time, and, on the whole; the book is
much more worthy of his attention.
Public-domain text, read in full here on John Shaqi.
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