It was about this time that my acquaintance with Cooper began, an acquaintance of more than a quarter of a century, in which his deportment towards me was that of unvaried kindness. He then resided a considerable part of the year in this city, and here he had founded a weekly club, to which many of the most distinguished men of the place belonged. Of the members who have since passed away, were Chancellor Kent, the jurist; Wiley the intelligent and liberal bookseller; Henry D. Sedgwick, always active in schemes of benevolence; Jarvis, the painter, a man of infinite humor, whose jests awoke inextinguishable laughter; De Kay, the naturalist; Sands, the poet; Jacob Harvey whose genial memory is cherished by many friends. Of those who are yet living was Morse, the inventor of the electric telegraph; Durand, then, one of the first of engravers, and now no less illustrious as a painter; Henry James Anderson, whose acquirements might awaken the envy of the ripest scholars of the old world; Halleck, the poet and wit; Verplanck, who has given the world the best edition of Shakspeare for general readers; Dr. King, now at the head of Columbia College, and his two immediate predecessors in that office. I might enlarge the list with many other names of no less distinction. The army and navy contributed their proportion of members, whose names are on record in our national history. Cooper when in town was always present, and I remember being struck with the inexhaustible vivacity of his conversation and the minuteness of his knowledge, in everything which depended upon acuteness of observation and exactness of recollection. I remember, too, being somewhat startled, coming as I did from the seclusion of a country life, with a certain emphatic frankness in his manner, which, however, I came at last to like and to admire. The club met in the hotel called Washington Hall, the site of which, is now occupied by part of the circuit of Stewart's marble building. Lionel Lincoln, which cannot be ranked among the successful productions of Cooper, was published in 1825; and in the year following appeared the Last of the Mohicans which more than recovered the ground lost by its predecessor. In this work, the construction of the narrative has signal defects, but it is one of the triumphs of the author's genius that he makes us unconscious of them while we read. It is only when we have had time to awake from the intense interest in which he has held us by the vivid reality of his narrative, and have begun to search for faults in cold blood, that we are able to find them, In the Last of the Mohicans, we have a bolder portraiture of. Leatherstocking than in the Pioneers.