Preface to the Works of Shakespeare (1734)Theobald, Mr. (Lewis)
General
Preface to the Works of Shakespeare (1734)
Theobald, Mr. (Lewis)
Shakespeare, William, 1564-1616 -- Criticism and interpretation
In how many Points of Light must we be oblig’d to gaze at this great
Poet! In how many Branches of Excellence to consider, and admire
him! Whether we view him on the Side of Art or Nature, he ought
equally to engage our Attention: Whether we respect the Force and
Greatness of his Genius, the Extent of his Knowledge and Reading,
the Power and Address with which he throws out and applies either
Nature, or Learning, there is ample Scope both for our Wonder and
Pleasure. If his Diction, and the cloathing of his Thoughts attract
us, how much more must we be charm’d with the Richness, and Variety,
of his Images and Ideas! If his Images and Ideas steal into our
Souls, and strike upon our Fancy, how much are they improv’d in
Price, when we come to reflect with what Propriety and Justness they
are apply’d to Character! If we look into his Characters, and how
they are furnish’d and proportion’d to the Employment he cuts out
for them, how are we taken up with the Mastery of his Portraits!
What Draughts of Nature! What Variety of Originals, and how
differing each from the other! How are they dress’d from the Stores
of his own luxurious Imagination; without being the Apes of Mode, or
borrowing from any foreign Wardrobe! Each of Them are the Standards
of Fashion for themselves: like Gentlemen that are above the
Direction of their Tailors, and can adorn themselves without the Aid
of Imitation. If other Poets draw more than one Fool or Coxcomb,
there is the same Resemblance in them, as in that Painter’s
Draughts, who was happy only at forming a Rose: you find them all
younger Brothers of the same Family, and all of them have a Pretence
to give the same Crest: But _Shakespeare_’s Clowns and Fops come all
of a different House: they are no farther allied to one another than
as Man to Man, Members of the same Species: but as different in
Features and Lineaments of Character, as we are from one another in
Face, or Complexion. But I am unawares launching into his Character
as a Writer, before I have said what I intended of him as a private
Member of the Republick.
[Sidenote: Some Particulars of his private Life.]
Mr. _Rowe_ has very justly observ’d, that People are fond of
discovering any little personal Story of the Great Men of Antiquity:
and that the common Accidents of their Lives naturally become the
Subject of our critical Enquiries: That however trifling such a
Curiosity at the first View may appear, yet, as for what relates to
Men of Letters, the Knowledge of an Author may, perhaps, sometimes
conduce to the better understanding his Works: And, indeed, this
Author’s Works, from the bad Treatment he has met with from his
Editors, have so long wanted a Comment, that one would zealously
embrace every Method of Information, that could contribute to
recover them from the Injuries with which they have so long lain
o’erwhelm’d.
Public-domain text, read in full here on John Shaqi.
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