Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687) — John Shaqi
Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)Boyle, Roger, Earl of Orrery
General
Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)
Boyle, Roger, Earl of Orrery
English fiction -- Early modern, 1500-1700; Prefaces
_It is no wonder that these Fooleries are not easily thrown off, because
of that deep impression which they make upon the affectionate part,
through the cunning inveglements of Fancy. For men having indulg’d
Imagination, and play’d carelesly with its Fantasms, unawares take
vehement pleasure in things which they do not believe, and weep for such
inconsiderable reasons, that afterward they laugh at themselves for it,
and read Fables with such affections, as if their own or their friends
best interest were wrapp’d up in them. What strong Expectation have they
for the Issue of a doubtfull Design? How unsatisfied are they till the End
of a paper-Combate? What fears possesse them for the Knight whose part
they take? How passionately are they delighted with the Description of a
Castle built in the aire? How ravish’d upon the conceit of Beauties which
owe themselves only to the paint which came out of the Poets Ink-pot? How
are they taken with pleasure and sorrow for the good and bad success of
the Romantick Lovers? They are apt also to draw to themselves or their
friends such things as they read in far-fetch’d references: if the
resemblances suite in some little points, they seem to do and suffer such
things; and what fits not they endeavour to patch up with some feign’d
coherency._
_But if in the midst of this =busie Idlenesse= they would admit a severe
consideration of more important duties neglected the while, a few
disentangled thoughts would rout the Troop of their fond Imaginations._
_Some peradventure not altogether satisfied with that which I have said,
may reply, What, then is Fancy uselesse? Is it not one of the naturall
faculties of the Soul? Were any of them made to no purpose? Is there any
more proper entertainment for it then the Conceit and Language of a
well-form’d Romance? Many books, which pretend to declare better matters
to us, do it so jejunely, that it is a work of more then ordinary patience
to give them the reading; and we are put into a doubt, whether or no those
who wrote them did intend any should make use of their Understandings in
the perusall of them, or whether they were able to give that which others
would expect as a reasonable satisfaction. Besides, we perceive many Books
of grave Titles so afflicted with Disputes about troublesome niceties and
trifling Capriccio’s, that wise persons find the books as little of kin to
their Names, as the Contents are of small Furtherance to their best
Concernments._
Public-domain text, read in full here on John Shaqi.
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