Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)Boyle, Roger, Earl of Orrery
General
Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)
Boyle, Roger, Earl of Orrery
English fiction -- Early modern, 1500-1700; Prefaces
If some of your more scrupulous Friends shall object, that I have
mentioned _Theodora_’s Beauty more often and advantagously, and
represented her Lovers Passion more Pathetically, than the subject of the
story exacted, and the truth requir’d in History would warrant; I shall
not altogether deny the Charge: Being rather content to have it thought,
that a youthful and heated fancy transported my Pen, somewhat beyond the
narrow bounds of History, than that so Pious a person as _Didymus_ did not
keep both his Flame, and the Expressions of it, within the limits of
Reason and Religion. But though I pretend not to justifie, all that has
been said in the strain of an Encomiast, or a Lover, yet I hop’d that I
may much Extenuate, if not Excuse it, by representing such things as
these.
That I have been careful, that _Theodora_ should not be made to do, or
say, any thing, that, the great Obligations she had to her Rescuer
consider’d, do intrench either upon her Piety, or her Vertue, or so much
as upon her Reserv’dness.
That as for _Didymus_; I might say, that probably he thought, those
Celebrations that would have been Flattery to another Lady, were but
Justice to a Person so Extraordinary, and so accomplish’d as his
Mistress; and that he thought it allowable, not to suppress the chast
effects of a Passion, that has not only been incident to Heroes, but
perhaps help’d to make them such. But I will rather say, that those only
are like to find much fault with his Expressions, _who_ consider not how
free they are from any degree of Prophaneness or Immodesty: And _who_ are
not accustomed to the reading of Stories, where Lovers are introduc’d, and
made to Praise and Complement in a far more Bold and Romantick way, than I
allowed my self in the following Paper. In which, all the Deference,
wherewith _Irene_ as well as _Didymus_ treat _Theodora_, may be accounted
for by this; That I remember’d to have, in some Author or other, found
Mention made of a Person about _Dioclesian_’s time, Whom I took for our
Martyr, that was intimated to be of high Quality, if not a _Princess_,
which Title I had without scruple given Her, If I had been half as sure
that she Was a _Princess_, as that she Deserv’d to be One.
That perhaps I was not unwilling, both to shew the Persons I wrote for,
that One might have glittering _Idea_’s of Beauty, without being dazl’d by
them; and also to convince them, that high Complements and passionate
expressions, are no certain Marks of His being really _Smitten_ (to speak
in a Lovers Phrase) that can Imploy them; since I retain’d my wonted
freedom of mind, while I was Writing; and presented them by the mouth of
_Didymus_, but what Fancy, not Passion indited.
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