And it wasn't even tolerable to think the thought that followed. If
the Company was corrupt, and I had worked to do the Company's business,
how much of this guilt was mine?
The Company, I had said and thought and tried to force others to agree,
was the hope of humanity--the force that had permanently ended war
(almost), driven out disease (nearly), destroyed the threat to any
human of hunger or homelessness (in spite of the starving old man who
slept in the shadow of the crypt, and others like him).
* * * * *
But I had to face the facts that controverted the Big Lie. If war was
ended, what about Naples and Sicily, and Prague and Vienna, and all the
squabbles in the Far East? _If there was no danger from disease, why
had Marianna died?_
Rena had said that if there was no danger of disaster, no one would
have paid their premiums. Obviously the Company could not have
wanted that, but why had I never seen it before? Sample wars, sample
deaths--the Company needed them. And no one, least of all me, fretted
about how the samples felt about it.
Well, that was behind me. I'd made a bet with Rena, and I'd lost, and I
had to pay off.
I opened the cased hypodermic kit Rena had given me and examined
it uncomfortably. I had never used the old-fashioned sort of needle
hypodermic; I knew a little something about the high-pressure spray
type that forced its contents into the skin without leaving a mark, but
I was very far from sure that I could manage this one without doing
something wrong. Besides, there wasn't much of the fluid left, only the
few drops left in the bottom of the bottle after Rena had loaded the
needle that had been smashed.
I hurried back along the corridor toward Benedetto dell'Angela. I
neared again the red-labeled door marked Bay 100, glanced at it in
passing--and stopped.
This was the door that only a handful of people could open. It was
labeled in five languages: "Entrance Strictly Prohibited. Experimental
Section."
Why was it standing ajar?
And I heard a faint whisper of a moan: "_Aiutemi, aiutemi._"
Someone inside was calling for help!
If I had been a hardened conspirator, I would never have stopped to
investigate. But, of course, I wasn't. I pushed the door aside, against
resistance, and peered in.
And that was my third major shock in the past quarter of an hour,
because, writhing feebly just inside the door, staring up at me with an
expression of pain and anger, was Luigi Zorchi.
He propped himself up on his hands, the rags of his plastic cocoon
dangling from his shoulders.
"Oho," he said faintly. "The apprentice assassin again."
I found water for him at a bubble-fountain by the ramp; he drank at
least a quart before I made him stop. Then he lay back, panting,
staring at me. Except for the shreds of plastic and the bandages around
the stumps of his legs, he was nude, like all the other suspendees
inside their sacks. The luxuriant hair had already begun to grow back.
Public-domain text, read in full here on John Shaqi.
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