The extensive works at Aztalan, on the west branch of Rock River,
present analogies of a different kind from the sacred and civic
enclosures of the Mound-Builders. They constitute, it is believed, the
only ancient enclosure, properly so called, throughout the whole region
of the emblematic mounds; and, under the name of the “ancient city of
Aztalan,” were long regarded as one of the wonders of the western world.
Early explorers were on the look-out for the mother city of the Aztecs,
and the first surveyor of the earthworks on Rock River named them
Aztalan, in the full belief that the long-sought city of Mexican
tradition had at length been found. The name was a stimulus to credulity
and wonder; and proved the source of much extravagant exaggeration.
Walls of brick still sustained by their solid buttresses; a subterranean
vault and stairway discovered within one of its square mounds; a
subterranean passage, arched with stone; bastions of solid masonry, and
other features of the like kind: were all made to correspond with the
supposed mother-city of the Aztecs, and the cradle-land of America’s
native civilisation. On being subjected to accurate survey, those
wondrous features vanish. Freed, however, from exaggeration and
falsehood, the Aztalan works still present remarkable characteristics.
An area of seventeen acres on the banks of the Rock River is enclosed on
three sides by a vallum with regular “bastions,” as they have been
termed; although both the construction of the walls, and the site of the
enclosure—commanded as it is by elevated land on nearly every
side,—preclude the idea of its having been a place of defence. Large,
square, terraced mounds occupy the northern and southern angles. In one
of them a human skeleton was found; and in others of the mounds coarse
pottery occurs; but both may have been deposited long subsequent to the
completion of the earthworks of Aztalan. With these exceptions, nothing
has yet rewarded the careful and elaborate excavations of its explorers
tending to throw light on the original builders. Its bastions have been
tunnelled in vain; and cuttings made in some of the largest of a
remarkable range of tumuli outside the enclosures revealed only ashes,
mingled with charcoal and fragments of human bones, unaccompanied by a
single work of art, like those which confer so graphic an interest on
the mounds of the Ohio Valley.
Public-domain text, read in full here on John Shaqi.
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