There are several interesting things about the “Franco-Cantabrian” cave
art. It was done deep down in the darkest and most dangerous parts of
the caves, although the men lived only in the openings of caves. If you
think what they must have had for lights--crude lamps of hollowed stone
have been found, which must have burned some kind of oil or grease,
with a matted hair or fiber wick--and of the animals that may have
lurked in the caves, you’ll understand the part about danger. Then,
too, we’re sure the pictures these people painted were not simply to be
looked at and admired, for they painted one picture right over other
pictures which had been done earlier. Clearly, it was the _act_ of
_painting_ that counted. The painter had to go way down into the most
mysterious depths of the earth and create an animal in paint. Possibly
he believed that by doing this he gained some sort of magic power over
the same kind of animal when he hunted it in the open air. It certainly
doesn’t look as if he cared very much about the picture he painted--as
a finished product to be admired--for he or somebody else soon went
down and painted another animal right over the one he had done.
The cave art of the Franco-Cantabrian style is one of the great
artistic achievements of all time. The subjects drawn are almost always
the larger animals of the time: the bison, wild cattle and horses, the
wooly rhinoceros, the mammoth, the wild boar, and the bear. In some of
the best examples, the beasts are drawn in full color and the paintings
are remarkably alive and charged with energy. They come from the hands
of men who knew the great animals well--knew the feel of their fur, the
tremendous drive of their muscles, and the danger one faced when he
hunted them.
Another artistic style has been found in eastern Spain. It includes
lively drawings, often of people hunting with bow and arrow. The East
Spanish art is found on open rock faces and in rock-shelters. It is
less spectacular and apparently more recent than the Franco-Cantabrian
cave art.
LIFE AT THE END OF THE ICE AGE IN EUROPE
Public-domain text, read in full here on John Shaqi.
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