Many persons I know actually employ, in speaking to a servant, an
entirely different tone of voice from the one they make use of
habitually. In giving an order, or asking a question, the sounds
ordinarily produced by their vocal chords undergo a sudden and entire
change; they become dry, hard, metallic, and as impersonal as the human
voice can sound. It is not that they are angry or irritated, or have
hard hearts; it is merely because they are speaking to a servant, and
for some reason, altogether obscure to me, this proceeding necessitates
a difference in vocal pitch, key and inflection. Several persons of
whom I am, for many reasons, extremely fond, have developed this
characteristic to such an extent that I have long since avoided dining
with them, meeting them in clubs, or, in fact, having any relations with
them that involve the presence of a so-called “inferior.” I find it too
embarrassing, too mortifying; I always have an all but irresistible
desire to exclaim to the patient, well-mannered human being who is
endeavoring to make us comfortable: “Please don’t mind him, or feel
badly about it. He isn’t at all the insufferable ass he sounds like.”
Long observation has convinced me that this fashion--it seems to be more
a fashion, after all, than anything else--is not nearly as prevalent in
the West as it is in the East. With but few exceptions, the men at the
club I most frequent in the West speak to the servants in their ordinary
tone of voice; the same natural and courteous tone they would adopt in
speaking to anyone else. Just what this proves, I can’t quite make up my
mind. It might mean that in the West we are rather more human and
kindly, or it might, perhaps, mean that we have not become so accustomed
to that unfathomable stratum of the race known as English servants.
Public-domain text, read in full here on John Shaqi.
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