Prejudices, fifth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fifth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
In the confidences of the literati, of course, it is always depicted as
something much more mellow and virtuous. Either they argue that they
are moved by a yearning to spread the enlightenment and save the world,
or they allege that what steams them and makes them leap is a passion
for beauty. Both theories are quickly disposed of by an appeal to the
facts. The stuff written by nine authors out of ten, it must be plain
at a glance, has as little to do with spreading the enlightenment as
the state papers of the late Dr. Warren Gamaliel Harding. And there is
no more beauty in it, and no more sign of a feeling of beauty, than
you will find in a hotel dining-room or a college yell. The impulse
to create beauty, indeed, is rather rare in literary men, and almost
completely absent from the younger ones. If it shows itself at all, it
comes as a sort of afterthought. Far ahead of it comes the yearning to
make money. And after the yearning to make money comes the yearning
to make a noise. The impulse to create beauty lingers far behind;
not infrequently there is a void where it ought to be. Authors, as a
class, are extraordinarily insensitive to beauty, and the fact reveals
itself in their customary (and often incredibly extensive) ignorance
of the other arts. I’d have a hard job naming six American novelists
who could be depended upon to recognize a fugue without prompting, or
six poets who could give a rational account of the difference between
a Gothic cathedral and a Standard Oil filling-station. The thing
goes even further. Most novelists, in my experience, know nothing of
poetry, and very few poets have any feeling for the beauties of prose.
As for the dramatists, three-fourths of them are unaware that such
things as prose and poetry exist at all. It pains me to set down such
inconvenient and blushful facts. They will be seized upon, I daresay,
by the evangelists of Kiwanis, and employed to support the doctrine
that authors are public enemies, and ought to be deported to Russia. I
do not go so far. I simply say that many who pursue the literary life
are less romantic and high-toned than they might be--that communion
with them is anything but the thrilling thing that provincial club
ladies fancy. If the fact ought to be concealed, then blame my babbling
upon scientific passion. That passion, to-day, has me by the ear.
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