Prejudices, fifth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fifth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
“Mirage,” I daresay, is already forgotten, though it was published
only in 1924. In substance, it is the story of Skeeters Kirby’s quest
for the Wonder Woman that all sentimentalists seek, and that none of
them finds until drink has brought him to his deathbed, and he sees
the fat, affable nurse through a purple haze. Skeeters comes from the
town of Mitch Miller, and when we first encounter him he is a lawyer
in Chicago. Already the search for the Perfect Doll has begun to leave
scars upon his psyche. First there was the sweet one who died before
he could get her to the altar; then there was the naughty Alicia, his
lawful wife, but, as he would say himself, a lemon. As the story
opens, Alicia, divorcing him, had just blackmailed him out of $70,000,
almost his whole fortune, as the price of her silence about Mrs. Becky
Morris. Becky is the widow of a rich old man, and now enjoys the
usufruct of his tenements and hereditaments. She has red hair and a
charming manner, and is a great liar. She falsely pretends to have read
Schopenhauer’s “The World as Will and Idea,” and passes in her circle
as an intellectual on the strength of it. She tells Skeeters that she
is virtuous, or, rather, that she _has_ been virtuous, and all the
while she is carrying on with one Delaher, a handsome frequenter of the
Hotel Ritzdorf in New York. A saucy and poisonous baggage, this Becky,
but Skeeters falls violently in love with her, and gladly pays Alicia
the $70,000 in order to protect her from scandal. But then she leaves
him, writes him a letter of farewell, and refuses flatly to marry him,
and when he pursues her to New York, confronts her with her adulteries,
and throws up to her the fact that he has gone broke for her, she
requites him only with a dreadful slanging. I quote the exact text:
Kirby took a drink of brandy from the flask and came to her, taking
her in his arms. “Tell, me, dear, what shall we do? Are we engaged?”
Becky shook her head.
“What do you wish? Shall I treat you as my bride-to-be, or shall we
go on as we are now?”
“Go on as we are now!”
“You know I am free now--and it cost me, too, to be free.”
“How much?”
“Seventy thousand dollars.”
“That’s not much.”
“It’s practically all I have.”
“Well, _Alicia won’t have such a large income out of it_.”
“And I paid it for you.”
Becky opened her eyes. Her face became a bonfire of rage. Her red
hair bristled like a wild animal’s.
“You’re just a liar to say that! And you can’t say such things in my
room. This is my room; _I pay for it_. And _you can be respectful to
me here, or you can go_.”
Kirby did not betray his anger. He concentrated it and went on: “_I
beg your pardon._”
In a voice as soft as oil he asked:
“Did you see Delaher?”
“Yes, I did, and he’s a rough-neck.”
“Well?”
“None of your business!”
“None of my business, eh?” Kirby said, with a bitter intonation.
“Leave my room,” Becky said.
“No, I’ll not leave your room.”
Public-domain text, read in full here on John Shaqi.
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