Nor are Wells’ ideas, as he has so laboriously expounded them, worth the sacrifice of his old lively charm. They are, in fact, second-hand, and he often muddles them in the telling. In “First and Last Things” he preaches a flabby Socialism, and then, toward the end, admits frankly that it doesn’t work. In “Boon” he erects a whole book upon an eighth-rate platitude, to wit, the platitude that English literature, in these latter times, is platitudinous—a three-cornered banality, indeed, for his own argument is a case in point, and so helps to prove what was already obvious. In “The Research Magnificent” he smouches an idea from Nietzsche, and then mauls it so badly that one begins to wonder whether he is in favor of it or against it. In “The Undying Fire” he first states the obvious, and then flees from it in alarm. In his war books he borrows right and left—from Dr. Wilson, from the British Socialists, from Romain Rolland, even from such profound thinkers as James M. Beck, Lloyd-George and the editor of the New York _Tribune_—and everything that he borrows is flat. In “Joan and Peter” he first argues that England is going to pot because English education is too formal and archaic, and then that Germany is going to pot because German education is too realistic and opportunist. He seems to respond to all the varying crazes and fallacies of the day; he swallows them without digesting them; he tries to substitute mere timeliness for reflection and feeling. And under all the rumble-bumble of bad ideas is the imbecile assumption of the jitney messiah at all times and everywhere: that human beings may be made over by changing the rules under which they live, that progress is a matter of intent and foresight, that an act of Parliament can cure the blunders and check the practical joking of God.