At the one extreme lies the unmitigated slave--the man who has to spend his whole life performing tasks that are incurably uninteresting, and that offer no soothing whatever to his vanity. At the other extreme is what Beethoven called the free artist--the man who makes a living, with no boss directly over him, doing things that he enjoys enormously, and that he would keep on doing gladly, even if all economic pressure upon him disappeared. To the second category belong all the happiest men in the world, and hence, perhaps, all the most useful men. For what is done with joy is always better done, whether it be fashioning a material object, thinking out a problem or kissing a pretty girl; and the man who can make the rest of humanity pay him for being happy is obviously a better man than the general, or, at all odds, a luckier one. Here luck and superiority are one and the same. The fact that Joseph Conrad could write better than I, was in a sense, a matter of pure chance. He was born with his talent; he did not earn it. Nevertheless, it was just as real as if he had got it by Christian endeavor, and his superiority to me was thus perfectly genuine. The slave is always conscious of his slavery, and makes constant and often desperate efforts to mitigate it or to get rid of it altogether. Sometimes he seeks that mitigation in outside activities that promise to give him the sense of dignity and importance that his daily labor denies him; sometimes he tries to give a false appearance of dignity to his work itself. The last phenomenon must be familiar to every American; it is responsible for various absurd devices to pump up lowly trades by giving them new and high-sounding names. I point, for example, to those of the real-estate agent and the undertaker. Neither trade, it must be obvious, offers any stimulation to men of genuine superiority. One could not imagine a Beethoven, a Lincoln or even a Coolidge getting any joy out of squeezing apartment-house tenants or pickling Odd Fellows. Both jobs, indeed, fail to satisfy the more imaginative sort of men among those compelled to practise them. Hence these men try to dignify them with hocus-pocus. The real-estate agent, seeking to conceal his real purpose in life, lets it be known grandly that he is an important semi-public functionary, that he has consecrated himself to Service and is a man of Vision--and to prove it he immerses himself in a private office with a secretary to insult his customers, joins a Rotary Club, and begins to call himself a realtor, a word as idiotic as flu, pep or gent. The ambitious washer of the dead--until very lately a sort of pariah in all civilized societies, like the hangman, the surgeon and the dog-catcher--proceeds magnificently along the same route. At regular intervals I receive impressive literature from a trade-union of undertakers calling themselves the Selected Morticians. By this literature it appears