Prejudices, fourth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fourth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Historically, there is thus nothing but folly and ignorance in all
the current prattle about a restoration of the ancient American
tradition. The ancient American tradition, in so far as it was
vital and productive and civilized, was obviously a tradition of
individualism and revolt, not of herd-morality and conformity. If one
argues otherwise, one must inevitably argue that the great men of the
Golden Age were not Emerson, Hawthorne, Poe and Whitman, but Cooper,
Irving, Longfellow and Whittier. This nonsense, no doubt, is actually
argued in the prairie seminaries; it even has its prophets, perhaps, in
backwaters of the East; certainly one finds little in controversion of
it in the prevailing text-books. But it remains nonsense all the same.
The fact that it has been accepted for years explains the three great
disgraces of American letters: the long neglect of Whitman, Melville
and Mark Twain. And the fact that it is now challenged actively--that
practically all young Americans of any appreciable intelligence now
rebel against it--that the most significant sign of the times, in many
ways, is the open revolt of the new generation against the teaching
of their elders--this fact explains the new vigor that has got into
American literature, and its consequent running amok. That running
amok, to be sure, is leading to excesses--but so did the running amok
of Whitman lead to excesses; so did the timorous running amok of Mark
Twain. In order to get the rest of “Leaves of Grass” we must somehow
manage to survive “A Woman Waits for Me”; in order to get “Huckleberry
Finn” we must swallow the buffooneries of “The Innocents Abroad.” In
brief, we must be willing to pay a price for freedom, for no price that
is ever asked for it is half the cost of doing without it.
3
Public-domain text, read in full here on John Shaqi.
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