Prejudices, second seriesMencken, H. L. (Henry Louis)
History
Prejudices, second series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Thus falsely judged by standards that have no intelligible appositeness
when applied to an artist, however accurately they may weigh a
stock-broker or a Presbyterian elder, and forced to meet not only
the hunkerous indifference of the dominant mob but also the bitter
and disingenuous opposition of the classes to which he might look
reasonably for understanding and support, the American author is forced
into a sort of social and intellectual vacuum, and lives out his days,
as Henry James said of Hawthorne, "an alien everywhere, an æsthetic
solitary."
The wonder is that, in the face of so metallic and unyielding a front,
any genuine artists in letters come to the front at all. But they
constantly emerge; the first gestures are always on show; the prodigal
and gorgeous life of the country simply forces a sensitive minority to
make some attempt at representation and interpretation, and out of many
trying there often appears one who can. The phenomenon of Dreiser is
not unique. He had his forerunners in Fuller and Frank Norris and he
has his _compagnons du voyage_ in Anderson, Charles G. Norris and more
than one other. But the fact only throws up his curious isolation in a
stronger light. It would be difficult to imagine an artist of his sober
purpose and high accomplishment, in any civilized country, standing
so neglected. The prevailing criticism, when it cannot dispose of him
by denying that he exists--in the two chief handbooks of latter-day
literature by professors he is not even mentioned!--seeks to dispose
of him by arraying the shoddy fury of the mob against him. When he
was under attack by the Comstocks, more than one American critic gave
covert aid to the common enemy, and it was with difficulty that the
weight of the Authors' League was held upon his side. More help for
him, in fact, came from England, and quite voluntarily, than could be
drummed up for him at home. No public sense of the menace that the
attack offered to free speech and free art was visible; it would have
made a nine-days' sensation for any layman of public influence to
have gone to his rescue, as would have certainly happened in France,
England or Germany. As for the newspaper-reading mob, it probably went
unaware of the business altogether. When Arnold Bennett, landing in
New York some time previously, told the reporters that Dreiser was the
American he most desired to meet, the news was quite unintelligible to
perhaps nine readers out of ten: they had no more heard _of_ Dreiser
than their fathers had heard of Whitman in 1875.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account