Prejudices, second seriesMencken, H. L. (Henry Louis)
History
Prejudices, second series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Here, as always, the worshiper is the father of the gods, and no less
when they are evil than when they are benign. The inferior man must
find himself superiors, that he may marvel at his political equality
with them, and in the absence of recognizable superiors _de facto_ he
creates superiors _de jure._ The sublime principle of one man, one
vote must be translated into terms of dollars, diamonds, fashionable
intelligence; the equality of all men before the law must have clear
and dramatic proofs. Sometimes, perhaps, the thing goes further and is
more subtle. The inferior man needs an aristocracy to demonstrate, not
only his mere equality, but also his actual superiority. The society
columns in the newspapers may have some such origin: they may visualize
once more the accomplished journalist's understanding of the mob mind
that he plays upon so skillfully, as upon some immense and cacophonous
organ, always going _fortissimo._ What the inferior man and his wife
see in the sinister revels of those amazing first families, I suspect,
is often a massive witness to their own higher rectitude--to their
relative innocence of cigarette-smoking, poodle-coddling, child-farming
and the more abstruse branches of adultery--in brief, to their firmer
grasp upon the immutable axioms of Christian virtue, the one sound
boast of the nether nine-tenths of humanity in every land under the
cross.
But this bugaboo aristocracy, as I hint, is actually bogus, and the
evidence of its bogusness lies in the fact that it is insecure. One
gets into it only onerously, but out of it very easily. Entrance is
effected by dint of a long and bitter straggle, and the chief incidents
of that struggle are almost intolerable humiliations. The aspirant
must school and steel himself to sniffs and sneers; he must see the
door slammed upon him a hundred times before ever it is thrown open
to him. To get in at all he must show a talent for abasement--and
abasement makes him timorous. Worse, that timorousness is not cured
when he succeeds at last. On the contrary, it is made even more
tremulous, for what he faces within the gates is a scheme of things
made up almost wholly of harsh and often unintelligible taboos,
and the penalty for violating even the least of them is swift and
disastrous. He must exhibit exactly the right social habits, appetites
and prejudices, public and private. He must harbor exactly the right
political enthusiasms and indignations. He must have a hearty taste
for exactly the right sports. His attitude toward the fine arts must
be properly tolerant and yet not a shade too eager. He must read and
like exactly the right books, pamphlets and public journals. He must
put up at the right hotels when he travels. His wife must patronize
the right milliners. He himself must stick to the right haberdashery.
He must live in the right neighborhood. He must even embrace the right
doctrines of religion. It would ruin him, for all opera box and society
Public-domain text, read in full here on John Shaqi.
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