Prejudices, second seriesMencken, H. L. (Henry Louis)
History
Prejudices, second series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
the Reds departed laughing loudly, and were hailed by the Bolsheviki as
innocents escaped from an asylum for the criminally insane.
Obviously, it is out of reason to look for any hospitality to ideas
in a class so extravagantly fearful of even the most palpably absurd
of them. Its philosophy is firmly grounded upon the thesis that the
existing order must stand forever free from attack, and not only
from attack, but also from mere academic criticism, and its ethics
are as firmly grounded upon the thesis that every attempt at any
such criticism is a proof of moral turpitude. Within its own ranks,
protected by what may be regarded as the privilege of the order,
there is nothing to take the place of this criticism. A few feeble
platitudes by Andrew Carnegie and a book of moderate merit by John D.
Rockefeller's press-agent constitute almost the whole of the interior
literature of ideas. In other countries the plutocracy has often
produced men of reflective and analytical habit, eager to rationalize
its instincts and to bring it into some sort of relationship to the
main streams of human thought. The case of David Ricardo at once comes
to mind. There have been many others: John Bright, Richard Cobden,
George Grote, and, in our own time, Walther von Rathenau. But in
the United States no such phenomenon has been visible. There was a
day, not long ago, when certain young men of wealth gave signs of an
unaccustomed interest in ideas on the political side, but the most they
managed to achieve was a banal sort of Socialism, and even this was
abandoned in sudden terror when the war came, and Socialism fell under
suspicion of being genuinely international--in brief, of being honest
under the skin. Nor has the plutocracy of the country ever fostered an
inquiring spirit among its intellectual valets and footmen, which is
to say, among the gentlemen who compose headlines and leading articles
for its newspapers. What chiefly distinguishes the daily press of the
United States from the press of all other countries pretending to
culture is not its lack of truthfulness or even its lack of dignity
and honor, for these deficiencies are common to the newspapers
everywhere, but its incurable fear of ideas, its constant effort to
evade the discussion of fundamentals by translating all issues into
a few elemental fears, its incessant reduction of all reflection to
mere emotion. It is, in the true sense, never well-informed. It is
seldom intelligent, save in the arts of the mob-master. It is never
courageously honest. Held harshly to a rigid correctness of opinion by
the plutocracy that controls it with less and less attempt at disguise,
and menaced on all sides by censorships that it dare not flout, it
sinks rapidly into formalism and feebleness. Its yellow section is
perhaps its most respectable section, for there the only vestige of the
old free journalist survives. In the more conservative papers one finds
Public-domain text, read in full here on John Shaqi.
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