Prejudices, third seriesMencken, H. L. (Henry Louis)
History
Prejudices, third series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Ellis, it seems to me, stood above all the rest, and precisely because
his dissent from the prevailing imbecilities was quite devoid of
emotion and had nothing in it of brummagem moral purpose. Too many of
the heretics of the time were simply orthodox witch-hunters off on an
unaccustomed tangent. In their disorderly indignation they matched the
regular professors; it was only in the objects of their ranting that
they differed. But Ellis kept his head throughout. An Englishman of
the oldest native stock, an unapologetic lover of English scenes and
English ways, an unshaken believer in the essential soundness and
high historical destiny of his people, he simply stood aside from the
current clown-show and waited in patience for sense and decency to be
restored. His “Impressions and Comments,” the record of his war-time
reflections, is not without its note of melancholy; it was hard to
look on without depression. But for the man of genuine culture there
were at least some resources remaining within himself, and what gives
this volume its chief value is its picture of how such a man made use
of them. Ellis, facing the mob unleashed, turned to concerns and ideas
beyond its comprehension—to the humanism that stands above all such
sordid conflicts. There is something almost of Renaissance dignity in
his chronicle of his speculations. The man that emerges is not a mere
scholar immured in a cell, but a man of the world superior to his race
and his time—a philosopher viewing the childish passion of lesser men
disdainfully and yet not too remote to understand it, and even to see
in it a certain cosmic use. A fine air blows through the book. It takes
the reader into the company of one whose mind is a rich library and
whose manner is that of a gentleman. He is the complete anti-Kipling.
In him the Huxleian tradition comes to full flower.
His discourse ranges from Beethoven to Comstockery and from Spanish
architecture to the charm of the English village. The extent of the
man’s knowledge is really quite appalling. His primary work in the
world has been that of a psychologist, and in particular he has
brought a great erudition and an extraordinarily sound judgment to the
vexatious problems of the psychology of sex, but that professional
concern, extending over so many years, has not prevented him from
entering a dozen other domains of speculation, nor has it dulled his
sensitiveness to beauty nor his capacity to evoke it. His writing was
never better than in this volume. His style, especially towards the
end, takes on a sort of glowing clarity. It is English that is as
transparent as a crystal, and yet it is English that is full of fine
colors and cadences. There could be no better investiture for the
questionings and conclusions of so original, so curious, so learned,
and, above all, so sound and hearty a man.
IX. THE NATURE OF LIBERTY
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