Every step in the process we have distinctly seen. In order to seize the fragment of pencil without awakening suspicion, while holding the slate under the table, the slate is constantly brought out to see whether or not the Spirits have written an answer. By this manoeuvre a double end is attained: First, it creates an atmosphere of expectation, and the sitters grow accustomed to a good deal of motion in the Medium's arm that holds the slate; and secondly, by these repeated motions the pencil (which, having been cut out from a slate pencil enclosed in wood, is square, and does not roll about awkwardly), is moved by the successive jerks toward the hand which holds the slate, and is gradually brought up to within grasping distance. The forefinger is then passed over the frame of the slate, and it and the thumb seize and hold the pencil, and under cover of some violent convulsive spasms the slate is turned over and the question read. At this point it is that the Medium shows his nerve: it is the critical instant, the only one when his eyes are not fastened on his visitors. On one occasion, when the question was written somewhat illegibly in a back hand, with a very light stroke, and close to the upper edge of the slate, the Medium had to look at it three several times before he could make it out. After reading the question, it may be noticed that Dr. Slade winks three or four times rapidly; this may have been partly to veil from his visitors the fact that he had been looking intently downward, and partly through mental abstraction in devising an answer. He evidently breathes freer when this crisis is past. Convulsive spasms attend the reversing of the slate, which is then generally held between his knees; only once did we note that he placed it _on_ his knees, and once we believed that he supported it by pressing it against the leg of the table. The answer is written without looking at the slate, in a coarse, large, sprawling hand, at times scarcely legible. While writing he keeps his eyes steadily fixed on his visitors, and generally rests a minute or two after it is finished. Presently the slate is held near the edge of the table and close up to it, and a tremulous motion imparted to it suggests that Spiritual power is then at work and that the writing is in progress. Dr. Slade performed several little tricks which he imputed to Spiritual agency, but which were almost puerile in the simplicity of their legerdemain, and which have been repeated with perfect success by one of our number; such as tossing a slate pencil on and sometimes over the table from a slate held apparently under the table, or the playing of an accordion when held with one hand under the table. This Medium's fingers are unusually long and strong, and the accordion, being quite small and with only four bellows folds, can be readily manipulated with but one hand, and when under the table is held by the keys.