It was now dark outside, but light from the street faintly illuminated the part of the room that he was in. He had set open every door in the whole interior, above and below, but all the outer ones were locked and bolted. Sudden exclamations from the crowd caused him to spring to the window and look out. He saw the figure of a man moving rapidly across the lawn toward the building—saw it ascend the steps; then a projection of the wall concealed it. There was a noise as of the opening and closing of the hall door; he heard quick, heavy footsteps along the passage—heard them ascend the stairs—heard them on the uncarpeted floor of the chamber immediately overhead. Saylor promptly drew his pistol, and groping his way up the stairs entered the chamber, dimly lighted from the street. No one was there. He heard footsteps in an adjoining room and entered that. It was dark and silent. He struck his foot against some object on the floor, knelt by it, passed his hand over it. It was a human head—that of a woman. Lifting it by the hair this iron-nerved man returned to the half-lighted room below, carried it near the window and attentively examined it. While so engaged he was half conscious of the rapid opening and closing of the outer door, of footfalls sounding all about him. He raised his eyes from the ghastly object of his attention and saw himself the center of a crowd of men and women dimly seen; the room was thronged with them. He thought the people had broken in. “Ladies and gentlemen,” he said, coolly, “you see me under suspicious circumstances, but”—his voice was drowned in peals of laughter—such laughter as is heard in asylums for the insane. The persons about him pointed at the object in his hand and their merriment increased as he dropped it and it went rolling among their feet. They danced about it with gestures grotesque and attitudes obscene and indescribable. They struck it with their feet, urging it about the room from wall to wall; pushed and overthrew one another in their struggles to kick it; cursed and screamed and sang snatches of ribald songs as the battered head bounded about the room as if in terror and trying to escape. At last it shot out of the door into the hall, followed by all, with tumultuous haste. That moment the door closed with a sharp concussion. Saylor was alone, in dead silence. Carefully putting away his pistol, which all the time he had held in his hand, he went to a window and looked out. The street was deserted and silent; the lamps were extinguished; the roofs and chimneys of the houses were sharply outlined against the dawn-light in the east. He left the house, the door yielding easily to his hand, and walked to the _Commercial_ office. The city editor was still in his office—asleep. Saylor waked him and said: “I have been at the haunted house.” The editor stared blankly as if not wholly awake. “Good God!” he cried, “are you Saylor?”