Pretty Geraldine, the New York Salesgirl; or, Wedded to Her ChoiceMiller, Alex. McVeigh, Mrs.
Philosophy
Pretty Geraldine, the New York Salesgirl; or, Wedded to Her Choice
Miller, Alex. McVeigh, Mrs.
Fiction
When the sympathetic women left her alone that evening in her room, she
knelt down in a passion of repentance, and prayed God to forgive her
for her great sin in trying to throw away the life He had given.
And she prayed Heaven to help her to forget Harry Hawthorne, and to
love Clifford Standish, the man she had promised to marry.
"Surely he is good and true, and deserves my love," she thought, in an
impulse of gratitude to him for the way he had shielded her when the
people talked of suicide. She was ashamed of the truth now--glad for
them to think it had been an accident.
"I will never be so foolish and so wicked again," she thought, in her
keen remorse for her sin.
She spent a wakeful, restless night in spite of the sedatives the kind
Doctor Spicer had administered before he went away. The hotel was so
close to the railroad that she could hear the trains thundering by all
night long, and the sound made her shudder with terror at thought of
the heavy iron wheels that had come so near to crushing out her fair
young life.
She was glad when morning came, and they boarded the train for New York.
She was eager to get away from this place, yet she would never forget
Alderson, with its beautiful mountains, its romantic, winding river,
and the bridge where she had stood with Standish, listening to the
cruel words that had extinguished the last spark of hope in her breast
and driven her mad with despair.
No, she would never forget beautiful Alderson, on the rippling,
winding, singing Greenbrier River, set like an emerald chain between
its romantic banks, overshadowed by wooded mountains, but she would
remember it always with a horror it did not deserve, poor Geraldine,
because of its tragic associations.
CHAPTER XVI.
"CALL PRIDE TO YOUR AID, GERALDINE."
"It is a common fate--a woman's lot--
To waste on one the riches of her soul,
Who takes the wealth she gives him, but cannot
Repay the interest, and much less the whole.
"'Tis a sad gift, that much applauded thing,
A constant heart; for fact doth daily prove
That constancy finds oft a cruel sting,
While fickle natures win the deeper love."
We must return to our description of the scene in the theatre when the
curtain rose on the first act, and the eager eyes of the large audience
turned upon the stage.
The heroine of the play, Laurel Vane, a beautiful girl, left penniless
and alone by the death of her only surviving parent, was discovered
weeping in the shabby room from which she would soon be turned out,
because she had no money to pay her rent.
Enter the handsome villain, Ross Powell, who declares his love for
Laurel, and makes wicked proposals.
Repulsed with scorn, he departs, vowing vengeance on the scornful
little beauty.
Desperate with misery, Laurel seeks a beautiful young lady, the noble
daughter of a publisher, for whose magazine her father had written
until his death.
Public-domain text, read in full here on John Shaqi.
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