Children's stories; Christian life -- Juvenile fiction; Didactic fiction; Domestic fiction; Pride and vanity -- Juvenile fiction
The appearance of the youthful countess was rather attractive than
striking. Her figure was below the middle height, and so light and
delicate in its proportions as to have earned for Annabella in girlhood
the title of Titania, queen of the fairies. Her complexion had not the
purity of that of her cousin Ida; but any emotion or excitement suffused
her cheek with a beautiful crimson, and lit up the vivacious dark eyes,
which were the only decidedly pretty feature in a face whose chief
charm lay in its ever-varying expression. The irregular outline of the
countess’s profile deprived her countenance of all claim to absolute
beauty, but no one when under the spell of her winning conversation,
could pause to criticise or even notice defects where the general effect
was so pleasing. The dress of the countess was not such as might have
been expected in one of her rank. It was picturesque rather than costly,
fanciful rather than fashionable. Annabella had just been bending over
her desk, busy with a romance which she was writing; her tresses were
slightly disordered, and a small ink stain actually soiled the whiteness
of one little delicate finger.
Her greeting to Dr. and Miss Bardon was most gracious and cordial. She
came forward with both hands extended, and welcomed her old friends to
Dashleigh Hall with a frank kindliness which at once set Cecilia at her
ease. “She is not changed in the least; she is the same fascinating being
as ever,” was the reflection of the gratified guest.
Dr. Bardon was not so easily won. He was out of temper with himself and
all the world. The touch of pride had turned indeed his wine of life
into a concentrated acid. Annabella could not but notice the hardness
of his manner, but she was neither surprised nor offended, for she knew
the character of the man. “I will conquer the old lion!” thought she,
and she exerted all her powers to do so. How thoughtfully attentive the
countess became, how she humoured her guest’s little fancies, how she
avoided jarring upon his prejudices, and talked of old times, old scenes,
old friends, till she fairly beat down, one after another, every barrier
behind which ill-humour could lurk!
Annabella took the arm of the doctor, and with Cecilia at her side,
sauntered down the marble terrace into the garden. She consulted Timon
Bardon about the disposition of her flower-beds, asked advice concerning
the management of plants, and finally overcame the old lion altogether
by begging for a slip from his Venice Sumach. The moment that the doctor
found that he could confer a favour instead of accepting one, all
his equanimity returned; and when the party re-entered the beautiful
drawing-room, the only shadow on the enjoyment of any of the three was
Cecilia’s consciousness that the gravel-walks had impaired the beauty of
her fawn-coloured boots.
“What a sweet creature the countess is!” was Miss Bardon’s silent
reflection; “prosperity has done her no harm; she has not a particle of
pride!”
Public-domain text, read in full here on John Shaqi.
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