Pride and Passion: Robert Burns, 1759-1796 — John Shaqi
Pride and Passion: Robert Burns, 1759-1796Ferguson, J. De Lancey (John De Lancey)
History
Pride and Passion: Robert Burns, 1759-1796
Ferguson, J. De Lancey (John De Lancey)
Burns, Robert, 1759-1796
The owners of the cattle lived in a style which an Iroquois would have
thought primitive. Gilbert Burns resented the statement that his famous
brother was born in a hovel. The Alloway cottage, he declared, was
better than the houses then occupied by many substantial farmers. So it
was. It had a chimney, whereas in many a cottage and farmhouse, long
after Burns’s youth--Keats saw plenty of them in Ayrshire in 1818--such
of the smoke as did not enter the eyes and lungs of the tenants escaped
through the door. But even with a chimney the average farmhouse or
labourer’s cottage, with its walls of stone or rammed clay, its earthen
floor and thatched roof, and with the fire seldom built up except for
cooking, had a winter chill and dampness that bred tuberculosis in the
young and rheumatism in the old. As at Alloway, the stable was usually
under the same roof, and its reek mingled with the dampness and the
smell of unwashed humanity. An English proverb in the seventeenth
century asserted that the Scots had neither bellows, warming-pans, nor
houses of office; and that the proverb still held in the eighteenth is
proved alike by experiences of Johnson and Boswell in gentlemen’s homes
in the Highlands and by episodes in the chapbooks of Dugal Graham which
reveal the same use of the fireplace as Shakespeare records of the
inn at Rochester. Outside the door was the midden-dub or glaur-hole,
manure-heap of man and beast alike, often so surrounded with stagnant
water that the ‘rather pretty’ girl whom Keats saw standing at a
cow-house door in the Highlands, ‘fac’d all up to the ankles in
dirt’, would in the Lowlands a generation earlier have been a sight
too commonplace to excite remark. When the seepage from the midden-dub
reached the water-supply the cycle of filth and typhoid was complete.
Dead animals which could not be eaten were usually dumped into the
nearest stream, so that if the water-supply was not contaminated in one
way, it was pretty sure to be in another. But unless the animal were a
horse, it had to be very dead indeed not to be eaten. Sheep that had
died by accident or disease had a special name--‘braxies’--and were the
perquisite of the shepherds; the flesh of diseased cattle was sometimes
the only meat farm servants tasted; in Edinburgh young Henry Mackenzie
once observed two bakers of cheap ‘mutton pies’ suspiciously engaged
by night about the carcass of a horse on the bank at the back of the
Castle.
Public-domain text, read in full here on John Shaqi.
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