Pride and Passion: Robert Burns, 1759-1796Ferguson, J. De Lancey (John De Lancey)
History
Pride and Passion: Robert Burns, 1759-1796
Ferguson, J. De Lancey (John De Lancey)
Burns, Robert, 1759-1796
Nevertheless the tides of changing ideas stirred even the strongholds
of Calvinism. Before the seventeenth century ended Michael Wigglesworth
in Massachusetts had found himself compelled slightly to modify the
doctrine of infant damnation in the direction of human decency; in
Scotland the ‘common sense’ doctrines of the Deists penetrated during
the eighteenth century even among those who abhorred the name of Deism.
From 1729 until his death in 1746 Francis Hutcheson, as professor of
Moral Philosophy in Glasgow University, expounded to steadily growing
classes his theory of the ‘moral sense’--an allegedly innate human
capacity for distinguishing right from wrong. This concept of innate
virtue as opposed to the idea of original sin rapidly gained ground
among the laity and the younger clergy of the cities, despite bitter
hostility on the part of the conservatives. Preaching began to stress
conduct rather than the will of a cruel and capricious god as the way
of salvation. A healthier and more prosperous nation was in fact
rebelling against a harsh and depressing philosophy, and the clergy
were following the lead of their congregations. By the third quarter
of the century the liberal faction, the Moderates or New Lights, were
in almost undisputed control in the metropolitan districts, though
the fundamentalists, or Old Lights, still flourished in the smaller
towns and in the rural parishes. The more rigorous extremes of kirk
discipline began to relax. Though in 1757 John Home was compelled to
resign his pulpit to escape the consequence of having written _The
Tragedy of Douglas_--to witness the early performances of which a
few of his more daring clerical brethren disguised themselves in the
garments of the laity--the ban on the theatre gradually sank into
desuetude. Even while the Edinburgh playhouse was still unlicensed,
and dramas had to be advertised as concerts of music between the parts
of which the play of the evening would be presented gratis, it became
possible for ministers to attend the performances openly.
Public-domain text, read in full here on John Shaqi.
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