Pride and Passion: Robert Burns, 1759-1796 — John Shaqi
Pride and Passion: Robert Burns, 1759-1796Ferguson, J. De Lancey (John De Lancey)
History
Pride and Passion: Robert Burns, 1759-1796
Ferguson, J. De Lancey (John De Lancey)
Burns, Robert, 1759-1796
I need not enumerate the volumes of biography, history, and memoirs
which have contributed background materials. They are listed in all the
standard bibliographies. The one great addition to the older lists is
the _Journals_ of James Boswell, which have furnished graphic details
of Scottish life. I hasten to add, however, that Chapter I is not
intended as a complete survey of eighteenth-century Scotland. Even had
completeness been possible in the space at my disposal, it would have
been useless to attempt to repeat what Professor H. W. Thompson has
so superbly done in _A Scottish Man of Feeling_. Hence I have limited
myself to those aspects of national life which bore directly upon
Burns, as I have also done in considering the influence of contemporary
literature. The eighteenth century was not all ‘elegance’, but it was
the elegant authors, and not Swift, Fielding, and Johnson, who appealed
to Burns.
Lest British readers charitably assume that I sin through ignorance,
I ought perhaps also to add that in writing of Burns’s world I have
not hesitated to equate some of its social and political aspects with
their twentieth-century American analogues. To describe a dead world in
dead terms seems a poor way of revivifying it. My omission of footnotes
is likewise deliberate. In a score of articles in various journals
during the past decade I have presented, and fully documented, the
evidence on many controversial points. The articles evoked an almost
passionate apathy; nevertheless they, and their footnotes, are there
if anyone cares to look them up. Furthermore, nearly all the source
documents I have used are now in print, despite the efforts of Burns’s
self-appointed literary executors to suppress certain of them. On two
points I recant some of my earlier statements: I know now that the
circumstances of Burns’s quarrel with the Riddells are not so clear as
I once thought them, and Mr. Stanley Cursiter of the Scottish National
Gallery has given me reason to doubt my identification of the miniature
portrait belonging to Mr. Oliver R. Barrett.
Public-domain text, read in full here on John Shaqi.
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