Herminie cast a quick glance at Madame de Beaumesnil, and was struck by
the change in that lady's usually drawn and pallid countenance. A slight
colour tinged her cheeks now, and her expression was calm, even smiling.
On beholding this metamorphosis, the girl's gloomy presentiments
vanished. Hope revived in her heart, and she almost believed that her
mother had been saved by one of those sudden changes so common in
nervous maladies.
So inexpressibly pleased and relieved, Herminie took her music and
walked to the piano.
Directly over the instrument hung a portrait of a little girl five or
six years of age, playing with a magnificent greyhound. She was not
pretty, but the childish face had a remarkably sweet and ingenuous
expression. This portrait, painted about ten years before, was that of
Ernestine de Beaumesnil, the Comtesse de Beaumesnil's legitimate child.
Herminie had not needed to ask who the original of this portrait was,
and more than once she had cast a timid, loving glance at this little
sister whom she did not know, and whom she would never know, perhaps.
On seeing this portrait now, Herminie, still under the influence of her
late emotion, felt even more deeply moved than usual, and for a minute
or two she could not take her eyes off the picture. Meanwhile, Madame de
Beaumesnil was tenderly watching the girl's every movement, and noted
her contemplation of Ernestine's portrait with keen delight.
"Poor Herminie!" thought the countess. "She has a mother and a sister,
and yet she will never know the sweetness of those words: my sister--my
mother."
And furtively wiping away a tear, Madame de Beaumesnil said aloud to
Herminie, whose eyes were still riveted upon the portrait:
"That is my daughter. She has a sweet face, has she not?"
Herminie started as if she had been detected in some grievous crime, and
blushed deeply as she timidly replied:
"Pardon me, madame; I--I--"
"Oh, look at it, look at it all you please," exclaimed Madame de
Beaumesnil, hastily. "Though she is nearly grown now, and has changed
very much in some respects, she still retains that same sweet, ingenuous
expression. She is not nearly as handsome as you are," said the poor
mother, with secret pride, and well pleased to be able to thus unite her
two daughters in the same comparison, "but Ernestine's face, like yours,
possesses a wonderful charm."
Then, fearing she had gone too far, Madame de Beaumesnil added, sadly:
"Poor child! Heaven grant she may be better now!"
"Are you really very anxious about her health, madame la comtesse?"
Public-domain text, read in full here on John Shaqi.
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