At this period of His career Lord Salisbury was forced to yield to the democratic spirit so far as to "go on the stump" and address popular audiences in great towns. It was an uncongenial employment. His myopia rendered the audience invisible, and no one can talk effectively to hearers whom he does not see. The Tory working men bellowed "For he's a jolly good fellow"; but he looked singularly unlike that festive character. His voice was clear and penetrating, but there was no popular fibre in his speech. He talked of the things which interested him; but whether or not they interested his hearers he seemed not to care a jot. When he rolled off the platform and into the carriage which was to carry him away, there was a general sense of mutual relief. But in the House of Lords he was perfectly and strikingly at home. The massive bulk, which had replaced the slimness of his youth, and his splendidly developed forehead made him there, as everywhere, a majestic figure. He neither saw, nor apparently regarded, his audience. He spoke straight up to the Reporters' Gallery, and, through it, to the public. To his immediate surroundings he seemed as profoundly indifferent as to his provincial audiences. He spoke without notes and apparently without effort. There was no rhetoric, no declamation, no display. As one listened, one seemed to hear the genuine thoughts of a singularly clever and reflective man, who had strong prejudices of his own in favour of religion, authority, and property, but was quite unswayed by the prejudices of other people. The general tone of his thought was sombre. Lord Lytton described, with curious exactness, the "massive temple," the "large slouching shoulder," and the "prone head," which "habitually stoops"-- "Above a world his contemplative gaze Peruses, finding little there to praise!" But though he might find little enough to "praise" in a world which had departed so widely from the traditions of his youth, still, this prevailing gloom was lightened, often at very unexpected moments, by flashes of delicious humour, sarcastic but not savage. No one excelled him in the art of making an opponent look ridiculous. Careless critics called him "cynical," but it was an abuse of words. Cynicism is shamelessness, and not a word ever fell from Lord Salisbury which was inconsistent with the highest ideals of patriotic statesmanship. He was by nature as shy as he was short-sighted. He shrank from new acquaintances, and did not always detect old friends. His failure to recognize a young politician who sat in his Cabinet, and a zealous clergyman whom he had just made a Bishop, supplied his circle with abundant mirth, which was increased when, at the beginning of the South African War, he was seen deep in military conversation with Lord Blyth, under the impression that he was talking to Lord Roberts.