Art, Prehistoric; Folk literature -- History and criticism
Fig. 228 is a dancing-apron woven from mountain-goat wool, and fastened
to a large piece of leather, the fringes of which are set with puffin
beaks. The woven design represents the beaver. Its symbols, the two
pairs of incisors and the scaly tail, are clearly represented. While in
most carvings and paintings the tail is turned upward in front of the
body, it is hanging down here between the two feet. The meaning of the
ornaments in the upper part of the apron to the right and to the left
of the head is not quite clear to me, but, if they are significant at
all, I believe they must be considered as the back of the body split
and folded along the upper margin of the blanket. If this explanation
is correct, we have to consider the animal cut into three pieces, one
cut running along the sides of the body, the other one along the back.
[Illustration: Fig. 229. Painted legging with design representing a
beaver sitting on a man’s head, Haida.]
Fig. 229 shows the design on a leather legging, a beaver squatting on
a human head. In this specimen we observe that the proportions of the
body have been much distorted owing to the greater width of the legging
at its upper part. The head has been much enlarged in order to fill the
wider portion of the decorative field.
[Illustration: Fig. 230. Gambling-leather with engraved design
representing a beaver, Tlingit.]
The gambling-leather (fig. 230) is treated in a similar manner. It
represents the beaver, and must probably be explained as the animal
cut in two. The symbols,—the large incisors and a scaly tail,—appear
here as in all other representations of the beaver, but the lower
extremities have been omitted. It might seem that this design could
be explained as well as a front view of the animal, but the deep
depression between the two eyes is not in favor of this assumption. The
head consists undoubtedly of two profiles, which join at the nose and
mouth; but the cut has not been continued to the tail, which remains
intact.
[Illustration: Fig. 231. Embroidered legging representing a sea-monster
with a bear’s head and body of the killer, Haida.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account