Art, Prehistoric; Folk literature -- History and criticism
In fig. 247 we find a novel representation of the killer-whale, which
was given to me as illustrating the painting on a house of the Kwakiutl
Indians. The sections that have been used here are quite complicated.
First of all, the animal has been split along its whole back towards
the front. The two profiles of the head have been joined, as described
before. The painting on each side of the mouth represent gills,
thus indicating that a water-animal is meant. The dorsal fin, which
according to the methods described heretofore would appear on both
sides of the body, has been cut off from the back before the animal was
split, and appears now placed over the junction of the two profiles of
the head. The flippers are laid along the two sides of the body with
which they cohere only at one point each. The two halves of the tail
have been twisted outward so that the lower part of the figure forms a
straight line. This is done in order to fit it over the square door of
the house.
[Illustration: Fig. 248. Painting for a house-front with design
representing a killer-whale, Kwakiutl.]
In fig. 248 the same animal has been treated in still a different
manner. The figure illustrates also the painting from a house-front of
the Kwakiutl Indians. The central parts of the painting are the two
profiles of the head of the killer-whale. The notch in the lower jaw
indicates that it also has been cut, and joined in its central part.
The cut on the upper part of the face has been carried down to the
upper lip. The body has disappeared entirely. The cut of the head has,
however, been carried along backward the whole length of the body as
far as the root of the tail, which latter has been cut off, and appears
over the junction of the two profiles of the head. The dorsal fin has
been split, and the two halves are joined to the upper part of the
head, from which they extend upward and outward. Immediately below them
the two halves of the blow-hole are indicated by two small faces, the
upper parts of which bear a semicircle each. The flippers are attached
to the lower corners of the face. The painting on the face next to the
mouth represents gills.
[Illustration: Fig. 249. Painting on a paddle representing porpoise and
seal, Kwakiutl.]
Public-domain text, read in full here on John Shaqi.
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