Art, Prehistoric; Folk literature -- History and criticism
The Californian Indians present an excellent example of this kind.
Their chief industry is basketry. Almost all their household goods,
receptacles for storage, cooking vessels, mortars for preparing
food, children’s cradles, receptacles for carrying loads, are made
of basketry. As compared to this industry others employed for the
manufacture of weapons and tools are insignificant. The building
of houses, of canoes, woodcarving, and painting are only slightly
developed. The only other occupation in which an unusual degree of
skill has been attained is featherwork. A great deal of time is
therefore given to the manufacture of baskets and an unusual degree
of virtuosity is found among the basketmakers. The beauty of form,
the evenness of texture of the Californian baskets are well known
and highly prized by collectors. At the same time the baskets are
elaborately decorated with a variety of geometrical designs or by
the addition of shells and feathers. (Plate I.) Basketmaking is an
occupation of women and thus it happens that among the Californian
Indians only women are creative artists. They are virtuosos in their
technique and on account of their virtuosity productive. The works of
art made by the men are, as compared to theirs, insignificant.
[Illustration: Fig. 1. Front of painted box, Tlingit, Alaska.]
It so happens that conditions among the northern neighbors of the
Californians are reversed. From Puget Sound northward the household
goods and implements of the Indians are made of wood, and much of the
time of the men is spent in woodworking. They are skilled joiners
and carvers who through constant practice have acquired virtuosity
in the handling of wood. The exactness of their work rivals that of
our very best craftsmen. Their boxes, buckets, kettles, cradles, and
dishes are all made of wood, as those of the Californians are made of
basketry. In their lives basketry plays a relatively unimportant part.
The industry in which they have attained greatest proficiency, is, at
the same time, the one in which their decorative art is most fully
developed. It finds expression, not only in the beauty of form of the
woodwork, but also in elaborate decoration. Among these people all
other aspects of decorative art are weak as compared to their artistic
expression in woodwork or in art forms derived from woodwork (fig. 1).
All this work is done by men and hence it follows that the men are the
creative artists while the women seem to be lacking in inventiveness
and artistic sense. Here also virtuosity in technique and artistic
productivity go hand in hand.
[Illustration: PLATE I.
Maidu Baskets. 1-2. Butterfly design. 3. Raccoon design. 4. Rim:
mountains; body: flying geese. 5. Moth-miller.]
Public-domain text, read in full here on John Shaqi.
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