There are also a number of low boxes which are treated somewhat differently. On account of the lowness of the sides the lower rim of the head is drawn straight so that a narrow rectangular panel originates along the lower border (fig. 278). In this specimen the eyes are retained; the central face in the lower field presumably represents the body, to which are attached the arms and hands. In most specimens of this type, however, the lower section is almost entirely suppressed; the large upper face is retained but under it we find only a few ornaments that may be interpreted only as fillers (fig. 279 above). There are also a number of low boxes in which the body is entirely suppressed. They contain, essentially, the large head design with a few decorative features along the sides, and the eyes in the upper corners. (Fig. 279 below). The arrangement of the long boxes is such that the center of the mouth, or a point a little below it, is the center of the decorative field (figs. 274-276). A line drawn from the center of the lower border to the upper corners passes almost always along the corner of the mouth and often also through the sharp curve at the upper, outer outline of the face. The line drawn from the center of the upper border to the lower corner passes, generally, through the corner of the mouth. When the central field along the upper border is wide, so that it reaches down to the upper curve limiting the mouth, the eye is shown in profile (figs. 274 _b_, 276 reverse). When the central field consists only of a sharp short angle, there is a double eye (figs. 274 _a_, 275, 276 front, 277). The general arrangement of lines on the box is such that the upper curves of the face are strongly curved downward. The curvature decreases downward; and in some boxes, for instance in those shown in figs. 275 and 276 reverse, there is a tendency to an arrangement of lines which are convex, upward. [Illustration: Fig. 279. Front, reverse and side of carved boxes.] The eye decorations are always so placed that they are not arranged in straight lines. It will be seen that in the best boxes they fall into curves that intersect the black lines of the design. In fig. 274 _a_, the eyes in the lower corners and those in the mouth are placed so as to form a continuous curve; in fig. 274 _b_, the arrangement of the eyes in the upper corners, the eyes of the large head, and those in the mouth form a fairly regular curve. In the square boxes on which only one side of the face is shown on each side (fig. 280), the body is very much reduced in size. In most of these the large head is limited below by a straight line, while on the long boxes containing the full face on the front the lower line of the face is curved. In only one of these (fig. 278) do we find the face limited below by a straight line. [Illustration: Fig. 280. Carved boxes.]