Art, Prehistoric; Folk literature -- History and criticism
The broad sides of rectangular boxes bear the same fundamental design
as the first type of blankets; an animal with an enormous head on the
upper border, the body occupying the centre below. A fairly consistent
difference between the blanket and box types is that the lower border
of the large face is curved on the boxes; straight on the blankets.
I believe this difference is due to the desire to avoid excessive
parallelism. In the blanket the straight lower line of the head is set
off against the curves of the upper part of the head and against the
angle in the lower border of the blanket, while in the boxes a straight
middle line would appear set off against the parallel upper and lower
edges of the box. The lateral panels of the blanket correspond, in a
way, to the narrow lateral strips in the front of the long boxes (fig.
274 _a_) which are characterized by a fairly large eye design in each
corner. These are connected by a variety of decorative elements. At
the lower border of the box front there originate, in this manner,
five fields. The middle one being occupied by the body of the central
animal; the corners being occupied by the eye designs which form the
basis of the lateral strips. Between these there remain spaces which
are often filled with designs representing the fore or hind feet of
the central animal. On account of the shifting of the eyes the five
field division does not appear as clearly in fig. 275. The reverse side
of fig. 276 is treated differently; in the lower field the body is
omitted, the two eyes placed in the middle so that a fourfold division
of the whole area under the mouth originates. A similar treatment is
given to a front (fig. 277 below), in which the eyes are placed in the
corners while the middle is occupied by the two sides of a tail, which,
however, is treated like a hawk’s face. The arbitrary character of the
details appears very clearly in this arrangement.
[Illustration: Fig. 277. Four sides of a painted box, front on a larger
scale, Tlingit.]
The narrow sides of the boxes are generally painted with a design
analogous to the central design of the front with this difference,
however, that the lateral panels are missing and that the head is
more compressed. In a number of cases the short sides are treated
differently, as shown in fig. 276. Very rarely the short sides contain
a profile figure that does not occupy the whole width of this side
(fig. 277).
[Illustration: Fig. 278. Front and side of a painted box.]
Public-domain text, read in full here on John Shaqi.
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