Art, Prehistoric; Folk literature -- History and criticism
There are also many emphatic particles. The closing _ai_ referred to
before, used in exhortative oratory, belongs to this group. Verbal
affixes meaning “really”, “indeed”, and the like are used informal
speech to give proper strength to the whole expression. In a wail a
woman chants: “Haha, hanane, now really I do this, I remember my real
past forefathers and really my great grandfathers and now really I will
go on with my family-myth here, telling of this, of my beginning in the
beginning of the world, of the chief who come up in this world, haha,
hanane; and really this was my ancestor who really was going about
spouting.”[142]
[142] Ibid., p. 836.
In Africa the telling of a story is enlivened by affirmative
exclamations of the audience. When the narrator says, “The turtle
killed the leopard,” the audience will repeat, clapping their hands,
“The leopard, the leopard.”
Emphasis is also given by an accumulation of synonyms. Alternate terms
are often used in this manner and in the original they often have an
added rhythmical value on account of the homology of their form. Thus
the Kwakiutl sings in a laudatory chant: “I greatly fear our chief, oh
tribes! I tremble on account of this great means of trying to cause
fear, of this great means of trying to cause terror, of this greatest
cause of terror.”[143]
[143] Ibid., p. 1287.
“I shall break, I shall let disappear the great Copper, the property of
the great foolish one, the great extravagant one, the great surpassing
one, the one farthest ahead, the greatest Spirit-of-the-Woods among the
chiefs.”[144]
[144] By “copper” is meant one of the valuable plates of
copper that are considered the “highest” kind of property. The
“Spirit-of-the-Woods” is the symbol of wealth and power, Ibid., p. 1288.
The beginning or the end of a rhythmic unit is often marked by an
interjection like the “haha hanane” of the wail previously quoted, or
by the repetition of the same word. Both these forms occur often in
love songs:
Ye ya aye ya! You are hard hearted, you who say that you love me,
You are hard hearted, my dear!
Ye ya aye ya! You are cruel, you who say that you are lovesick
for me, my dear!
Ye ya aye ya! When are you going to talk my love? my dear![145]
[145] Ibid., p. 1301.
or in a shaman’s song:[146]
I have been told to continue to heal him by
the Good Supernatural Power,
I have been told to keep on putting the hemlock ring
over him by the Shaman-of-the-Sea,
the Good Supernatural Power,
I have been told to put back into our friend his soul, by
the Good Supernatural Power,
I have been told to give him long life, by the Long-Life-
Giver-of-the-Sea, the Chief-of-High-Water,
the Good Supernatural Power.
[146] Ibid., p. 1296.
Public-domain text, read in full here on John Shaqi.
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