Art, Prehistoric; Folk literature -- History and criticism
While the lack of variation in the forms of utensils, and their
regional characterisation are often expressions of definite motor
habits, or of other sensory reactions that are firmly associated
with useful activities which have become culturally fixed, there are
other cases in which conservative retention of form may not be thus
explained. This is true particularly when the use of an object does
not depend to any considerable extent upon its form. Whether a basket
is round or oblong, angular or without corners does not influence the
mode of its use, unless it serves as a carrying basket. Still, in many
cases the familiarity established through long use of the objects
may readily lead to an emotional attachment that finds expression
in permanence of form, and in the refusal to accept new, unfamiliar
shapes for every day use, an emotional resistance to change that may
be variously expressed,—as a feeling of impropriety of certain forms;
of a particular social or religious value, or of superstitious fear of
change. Permanence of form is also favored by the participation of many
individuals in the manufacture of objects. In most cases every person
supplies his own needs. The number of original minds is certainly no
larger in primitive society than in our own, although I do not believe
that it is any smaller. The bulk of the makers of objects of every day
use are, therefore, imitators, not originators, and the mass of uniform
material that is in use and constantly seen will restrict the free
play of imagination of the original minds. The desire for deliberate
attempts to create something novel, that characterises the industries
of our times, is not present, just as little as it is present among our
peasants, so far as they are uncontaminated by city influences. I do
not mean to imply that primitive forms are absolutely stable. Nothing
could be farther from the truth; but the conscious striving for change
that characterizes our fashions, is rare. We are also conservative in
forms, a modification of which would require fundamental changes of
habits.
The stability of the inner arrangements of houses, notwithstanding
all variations in detail; the adherence to types of windows used in
different countries; the forms of churches, our localized food habits
are all examples of a considerable degree of conservatism. This
prevails also at least in part, in the fundamental patterns of male and
female attire.
Public-domain text, read in full here on John Shaqi.
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