Art, Prehistoric; Folk literature -- History and criticism
The stability of language is another phenomenon of the same kind.
The fundamental phonetic characteristics of a language are based on
motor habits; the use of vocabulary and of grammatical forms partly on
auditory associations. In all these cases; in the use of tools, forms
and language the mind becomes so thoroughly adjusted to the use of
definite motor habits, and to certain types of association between
sense impressions and definite activities, that a resistance to change
appears as the most natural mental attitude; if for no other reason,
because it requires the effort of unlearning and relearning. It must be
understood that this does not imply an absolute stability, which does
not exist, but merely the individual resistance to sudden changes.
In another way this resistance is expressed through an emotional
attachment to customary forms. In the domain of tools it is perhaps
not so much the pleasure of play that induces man to bestow much labor
upon the manufacture of his utensils, as rather the love of the special
tool that he is using, a love that implies pleasure in the customary
movements as well as in the form of the implement. This mental attitude
is one of the most important sources of the conservatism in the form
of objects of use, and of the tendency to give to them the greatest
possible technical excellence. The intensity of the emotional relation
between a person and his tool is naturally greatest when maker and
user are the same person; it must decay with the ease with which
substitutes are obtained. Here is one of the causes of the rapid decay
in the beauty of form of native utensils as soon as European tools and
manufactures are introduced.
Public-domain text, read in full here on John Shaqi.
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