Every one is acquainted with the travelling-tinkers who, at the present
day, make their way down from the mountains of Auvergne, the Black
Forest, the Alps, or the Cévennes, and are called _péirerous_ and
_estama-brazaïres_ in the south of France, and _épingliers_ in other
districts. These men are in the habit of working at separate jobs in the
villages and even in the public places of the towns. Of course they
travel with no more of the utensils of their craft than strict necessity
requires; but, nevertheless, what they carry is sufficient for every
purpose. A hollow made in the ground is the furnace in which they place
the nozzle of their portable bellows, and they hammer the iron on a
small anvil fixed in the earth.
Aided by these merely rudimentary means they execute pieces of
metal-work, the dimensions of which are really surprising. They make
nails and tacks, and even worm screws, repair locks, clean clocks, make
knives, mend skimmers, and restore umbrella-frames. They make bronze
rings out of republican _décimes_, and sell these popular trinkets to
the village beauties.
Incomparable in their line of business, these men are unequalled in
patching or re-tinning vessels made of tin and wrought or sheet-iron.
The mending of crockeryware also forms one of their numerous vocations;
and the repairing of a broken plate by means of an iron rivet is mere
play-work for their dexterous fingers. But melting down and
re-casting--these are the real triumphs of their art. The village
housewife brings to them her worn-out pewter vessel, and soon sees it
reappear as a new, brilliant, and polished utensil. Lamps, cans, covers,
and tin-plates and dishes are thus made to reappear in all their
primitive brightness.
The fusion and casting of bronze does not perplex them any more than
working in tin. They are in the habit of casting various utensils in
brass or bronze, such as candlesticks, bells, brackets, &c. The crucible
which they use in melting brass is nothing but a hole dug in the earth
and filled up with burning charcoal, the fire being kept up with the
help of their bellows, the nozzle of which is lengthened so as to open
into the middle of the charcoal. On this furnace they place their
portable crucible, which is a kind of earthen ladle provided with a
handle.
Their system of casting is simple in the extreme. The pressed sand,
which serves them for a mould, is procured from the ditch at the side of
the road. Into this mould they pour the alloy out of the very crucible
in which it has been melted.
Public-domain text, read in full here on John Shaqi.
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