Primitive & Mediaeval Japanese Texts: Transliterated into Roman with introductions, notes and glossaries
General
Primitive & Mediaeval Japanese Texts: Transliterated into Roman with introductions, notes and glossaries
Japanese literature -- To 1868
Chiunagon Isonokami no Marotada[147] ha ihe ni tsukaharuru[148]
wonoko-domo moto ni ‘Tsubakurame no su kuhitaraba tsugeyo’ to notamafu
wo uketamaharite, ‘Nani no reu[149] ni ka aramu’ to mausu kotahete
notamafu yau ‘tsubakurame no motaru koyasugahi toramu reu nari’ to
notamafu.
Wonoko-domo kotahete mausu ‘Tsubakurame wo amata koroshite miru ni dani
mo hara ni nakimono nari. Tadashi ko umu toki namu ikadeka idasuran
hara-hara to mausu[150] hito dani mireba usenu’ to mausu.
Mata hito no mausu yau ‘Ohowidzukasa no ihi kashiku ya no mune no
tsuku[151] no ana goto ni tsubakurame ha su kuhihaberi sore ni mame
naramu wonoko-domo wo wite makarite agura wo yuhite agete ukagahasemu
ni sokora no tsubakurame ko umazaramu ya ha? sate! koso torashime
tamahame’--to mausu.
Chiunagon yorokobi-tamahite ‘Wokashiki koto ni mo aru kana?
mottomo yeshirazarikeri kiyou aru koto maushitari’ to notamahite
mame naru wonoko-domo nizhifu nin bakari tsukahashite ananahi ni
age-suweraretari.
Tono yori tsukahi hima naku tamahasete koyasugahi toritaru ka--to
tohase-tamafu. Tsubakurame mo hito no amata nobori-witaru ni ojite su
ni nobori kozu.
Kakaru yoshi no mi kaheri-goto wo maushikereba kikitamahite ikaga
subeki to oboshimeshi wadzurafu ni kano tsukasa no kwan-nin Kuratsu
Maro to mausu okina mausu yau ‘Koyasu-gahi toramu to oboshimesaba
tabakari mausamu’ tote, ommahe ni mawiritareba Chiunagon hitahi wo
ahasete mukahi-tamaheri.
Kuratsu Maro ga mausu yau ‘Kono tsukubakurame no koyasu-gahi ha ashiku
tabakarite torase tamafu nari. Sate ha, yetorase-tamahazhi ananahi ni
odoro-odoroshiku mizhifu nin no hito no noborite habereba arete[152]
yori-maude kozu namu. Sesase-tamafubeki yau ha kono ananahi wo
kobochite hito mina shirizokite mame naramu hito hitori[153] wo arako
ni nose-suwete tsuna wo kamahete tori no ko umamu ahida[154] ni tsuna
wo tsuri[155]-age-sasete futo koyasu-gahi wo torase-tamahamu[156] namu
yokarubeki’ to mausu.
Chiunagon notamafu yau ‘Ito yoki koto nari’, tote, ananahi wo kobochite
hito mina kaheri-maude kinu.
Chiunagon Kuratsu Maro ni notamahaku--‘Tsubakurame ha ika naru toki ni
ka ko wo umu to shirite, hito wo ba agurubeki’ to notamafu[157].
Kuratsu Maro mausu yau ‘Tsubakurame ha ko umamu to suru toki ha wo
wo sasagete[158] nana tabi megurite namu umi-otosumeru sate nana tabi
meguramu wori hiki-agete sono wori koyasu-gahi ha torase-tamahe’
to mausu yau. Chiunagon yorokobi-tamahite yorodzu no hito ni mo
shirase-tamahade misoka ni tsukasa ni imashite wonoko-domo no naka ni
mazhirite[159] yoru wo hiru ni nashite torashime-tamafu.
Kuratsu Maro kaku mausu wo ito itaku yorokobi-tamahite notamafu--‘Koko
ni tsukaharuru hito ni mo naki ni negahi wo kanafuru koto no ureshisa’
to ihite mi[160] zo nugite kadzuke-tamahitsu--‘sara ni yosari[161]
kono[162] tsukasa[163] ni maude-ko’--to notamahite tsukahashitsu.
Public-domain text, read in full here on John Shaqi.
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