Primitive Time-reckoning: A study in the origins and first development of the art of counting time among the primitive and early culture peoplesNilsson, Martin P. (Martin Persson)
History
Primitive Time-reckoning: A study in the origins and first development of the art of counting time among the primitive and early culture peoples
Nilsson, Martin P. (Martin Persson)
Chronology
The natives of Australia have a rich stellar mythology[521]. The
evening star has its name and its myths. The Pleiades are women who
in the Alcheringa period lived at Intitakula: this is believed by
all the tribes whom our authority studied. Orion they regard as an
emu, and the stars in general as camp-fires of natives who live in
heaven. As a general rule, however, the natives appear to pay very
little attention to the stars in detail, probably because these
enter very little into anything which is connected with their daily
life, more especially with their food-supply. By the northern Arunta
and the Kaitish the Magellanic Clouds are supposed to be full of
evil magic, which sometimes comes down to earth and chokes men and
women in their sleep[522]. According to another author acquainted
with the Arunta the Pleiades are seven maidens who had danced at
the circumcision ceremony and then ascended into heaven. Two stars
in the neighbourhood of the Magellanic Clouds are called ‘the two
Gland-poison Men’: the Clouds are the smoke of their fires; the dark
patch in the Milky Way is an article of adornment (_ngapatjinbi_),
the Southern Cross ‘an eagle’s foot’. The morning star is also
known[523]. The tribes of S. E. Australia give names to many stars
and group some of them together in constellations, among which are
the sons of Bunjil. The Wiiambo thought that the stars were once
great men. The Southern Cross is an emu, Mars an eagle, another star
is a crow. The Pleiades, according to the Wotjo-baluh, are some
women, _corona australis_ is ‘the Laughing Jackass’, a small star in
Argo is ‘the Shell Parakeet’[524].
Public-domain text, read in full here on John Shaqi.
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