The night had already fallen when they took the saddle. The merchants were very loud and mirthful; each had a face like a nor’west moon; and they played pranks with each others’ horses, and mingled songs and choruses, and alternately remembered and forgot the companion of their ride. Otto thus combined society and solitude, hearkening now to their chattering and empty talk, now to the voices of the encircling forest. The starlit dark, the faint wood airs, the clank of the horse-shoes making broken music, accorded together and attuned his mind. And he was still in a most equal temper when the party reached the top of that long hill that overlooks Mittwalden. Down in the bottom of a bowl of forest, the lights of the little formal town glittered in a pattern, street crossing street; away by itself on the right, the palace was glowing like a factory. Although he knew not Otto, one of the wood-merchants was a native of the state. ‘There,’ said he, pointing to the palace with his whip, ‘there is Jezebel’s inn.’ ‘What, do you call it that?’ cried another, laughing. ‘Ay, that’s what they call it,’ returned the Grünewalder; and he broke into a song, which the rest, as people well acquainted with the words and air, instantly took up in chorus. Her Serene Highness Amalia Seraphina, Princess of Grünewald, was the heroine, Gondremark the hero of this ballad. Shame hissed in Otto’s ears. He reined up short and sat stunned in the saddle; and the singers continued to descend the hill without him.