And it really was to see her that the Prince went to the Baroness
Dinati’s, where his melancholy characteristics clashed with so many
worldly follies and extravagances. The Baroness seemed to have a
peculiar faculty in choosing extraordinary guests: Peruvians, formerly
dictators, now become insurance agents, or generals transformed into
salesmen for some wine house; Cuban chiefs half shot to pieces by
the Spaniards; Cretes exiled by the Turks; great personages from
Constantinople, escaped from the Sultan’s silken bowstring, and
displaying proudly their red fez in Paris, where the opera permitted
them to continue their habits of polygamy; Americans, whose gold-mines
or petroleum-wells made them billionaires for a winter, only to go to
pieces and make them paupers the following summer; politicians out of a
place; unknown authors; misunderstood poets; painters of the future-in
short, the greater part of the people who were invited by Prince Andras
to his water-party, Baroness Dinati having pleaded for her friends and
obtained for them cards of invitation. It was a sort of ragout of real
and shady celebrities, an amusing, bustling crowd, half Bohemian, half
aristocratic, entirely cosmopolitan. Prince Andras remembered once
having dined with a staff officer of Garibaldi’s army on one side of
him, and the Pope’s nuncio on the other.
On a certain evening the Baroness was very anxious that the Prince
should not refuse her latest invitation.
“I am arranging a surprise for you,” she said. “I am going to have to
dinner”--
“Whom? The Mikado? The Shah of Persia?”
“Better than the Mikado. A charming young girl who admires you
profoundly, for she knows by heart the whole history of your battles of
1849. She has read Georgei, Klapka, and all the rest of them; and she is
so thoroughly Bohemian in heart, soul and race, that she is universally
called the Tzigana.”
“The Tzigana?”
This simple word, resembling the clank of cymbals, brought up to Prince
Andras a whole world of recollections. ‘Hussad czigany’! The rallying
cry of the wandering musicians of the puszta had some element in it like
the cherished tones of the distant bells of his fatherland.
“Ah! yes, indeed, my dear Baroness,” he said; “that is a charming
surprise. I need not ask if your Tzigana is pretty; all the Tzigani of
my country are adorable, and I am sure I shall fall in love with her.”
The Prince had no notion how prophetic his words were. The Tzigana,
whom the Baroness requested him to take in to dinner, was Marsa, Marsa
Laszlo, dressed in one of the black toilettes which she affected, and
whose clear, dark complexion, great Arabian eyes, and heavy, wavy hair
seemed to Andras’s eyes to be the incarnation, in a prouder and more
refined type, of the warm, supple, nervous beauty of the girls of his
country.
Public-domain text, read in full here on John Shaqi.
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