There was a certain womanly coquetry, mingled with a profound love of
the soil where her martyred mother reposed, in the desire which Marsa
Laszlo had to be called the Tzigana, instead of by her own name.
The Tzigana! This name, as clear cut, resonant and expressive as the
czimbaloms of the Hungarian musicians, lent her an additional, original
charm. She was always spoken of thus, when she was perceived riding her
pure-blooded black mare, or driving, attached to a victoria, a pair of
bay horses of the Kisber breed. Before the horses ran two superb Danish
hounds, of a lustrous dark gray, with white feet, eyes of a peculiar
blue, rimmed with yellow, and sensitive, pointed ears--Duna and Bundas,
the Hungarian names for the Danube and the Velu.
These hounds, and an enormous dog of the Himalayas, with a thick, yellow
coat and long, sharp teeth, a half-savage beast, bearing the name
of Ortog (Satan), were Marsa’s companions in her walks; and their
submission to their young mistress, whom they could have knocked
down with one pat of their paws, gave the Tzigana reputation for
eccentricity; which, however, neither pleased nor displeased her, as she
was perfectly indifferent to the opinion of the public at large.
She continued to inhabit, near the forest of Saint-Germain, beyond the
fashionable avenues, the villa, ornamented with the holy Muscovite icon,
which Prince Tchereteff had purchased; and she persisted in remaining
there alone with old Vogotzine, who regarded her respectfully with his
round eyes, always moist with ‘kwass’ or brandy.
Flying the crowded city, eager for space and air, a true daughter of
Hungary, Marsa loved to ride through the beautiful, silent park, down
the long, almost deserted avenues, toward the bit of pale blue horizon
discernible in the distance at the end of the sombre arch formed by the
trees. Birds, startled by the horses’ hoofs, rose here and there out of
the bushes, pouring forth their caroling to the clear ether; and Marsa,
spurring her thoroughbred, would dash in a mad gallop toward a little,
almost unknown grove of oaks, with thickets full of golden furze and
pink heather, where woodcutters worked, half buried in the long grass
peppered with blue cornflowers and scarlet poppies.
Public-domain text, read in full here on John Shaqi.
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