“Wait here a moment. I am going on board, and I will send you the rest of the list of guests by a sailor. They can prepare the article from what you have, and set it up in advance, and I will come myself to the office this evening and make the necessary additions.” “Very well, Monsieur Jacquemin.” “And don’t lose any of the leaves.” “Oh, Monsieur Jacquemin! I never lose anything!” “They will have some difficulty, perhaps, in reading the names--they are all queer; but I shall correct the proof myself.” “Then, Monsieur,” asked the lounger again, eager to obtain all the information he could, “those people who are going on board are almost all foreigners?” “Yes, Monsieur; yes, Monsieur; yes, Monsieur!” responded jacquemin, visibly annoyed. “There are many foreigners in the city, very many; and I prefer them, myself, to the provincials of Paris.” The other did not seem to understand; but he smiled, thanked the reporter, and strolled away from the parapet, telling all the people he met: “It is a fete! Prince Andras, a Hungarian, is about to be married. Prince Andras Zilah! A fete on board a steamer! What a droll idea!” Others, equally curious, leaned over the Quai des Tuileries and watched the steamer, whose tricolor flag at the stern, and red streamers at the mastheads, floated with gay flutterings in the fresh morning breeze. The boat was ready to start, its decks were waxed, its benches covered with brilliant stuffs, and great masses of azaleas and roses gave it the appearance of a garden or conservatory. There was something highly attractive to the loungers on the quay in the gayly decorated steamer, sending forth long puffs of white smoke along the bank. A band of dark-complexioned musicians, clad in red trousers, black waistcoats heavily embroidered in sombre colors, and round fur caps, played odd airs upon the deck; while bevies of laughing women, almost all pretty in their light summer gowns, alighted from coupes and barouches, descended the flight of steps leading to the river, and crossed the plank to the boat, with little coquettish graces and studied raising of the skirts, allowing ravishing glimpses of pretty feet and ankles. The defile of merry, witty Parisiennes, with their attendant cavaliers, while the orchestra played the passionate notes of the Hungarian czardas, resembled some vision of a painter, some embarkation for the dreamed-of Cythera, realized by the fancy of an artist, a poet, or a great lord, here in nineteenth century Paris, close to the bridge, across which streamed, like a living antithesis, the realism of crowded cabs, full omnibuses, and hurrying foot-passengers. Prince Andras Zilah had invited his friends, this July morning, to a breakfast in the open air, before the moving panorama of the banks of the Seine.