A little farther off, two men-one tough and strong, a man of thirty,
whom toil had made forty, the other old, wrinkled, white-haired and
with skin like leather, father and grandfather, doubtless, of the little
brats beyond--were eating bread and cheese, and drinking, turn by turn,
out of a bottle of wine, which they swallowed in gulps. The halt was a
rest to these poor people.
As Marsa watched them, she seemed to perceive in these wanderers of the
river, as in a vision, those other wanderers of the Hungarian desert,
her ancestors, the Tzigani, camped in the puszta, the boundless plain,
crouched down in the long grass beneath the shade of the bushes, and
playing their beautiful national airs. She saw the distant fires of the
bivouac of those unknown Tzigani whose daughter she was; she seemed to
breathe again the air of that country she had seen but once, when upon a
mournful pilgrimage; and, in the presence of that poor bargeman’s wife,
with her skin tanned by the sun, she thought of her dead, her cherished
dead, Tisza.
Tisza! To the gipsy had doubtless been given the name of the river on
the banks of which she had been born. They called the mother Tisza, in
Hungary, as in Paris they called the daughter the Tzigana. And Marsa was
proud of her nickname; she loved these Tzigani, whose blood flowed in
her veins; sons of India, perhaps, who had descended to the valley
of the Danube, and who for centuries had lived free in the open air,
electing their chiefs, and having a king appointed by the Palatine--a
king, who commanding beggars, bore, nevertheless, the name of
Magnificent; indestructible tribes, itinerant republics, musicians
playing the old airs of their nation, despite the Turkish sabre and the
Austrian police; agents of patriotism and liberty, guardians of the old
Hungarian honor.
These poor people, passing their lives upon the river as the Tzigani
lived in the fields and hedges, seemed to Marsa like the very spectres
of her race. More than the musicians with embroidered vests did the
poor prisoners of the solitary barge recall to her the great proscribed
family of her ancestors.
She called to the children playing upon the sunbeaten deck: “Come here,
and hold up your aprons!”
They obeyed, spreading out their little tattered garments. “Catch
these!” she cried.
They could not believe their eyes. From the steamer she threw down to
them mandarins, grapes, ripe figs, yellow apricots, and great velvety
peaches; a rain of dainties which would have surprised a gourmand: the
poor little things, delighted and afraid at the same time, wondered if
the lady, who gave them such beautiful fruit, was a fairy.
The mother then rose; and, coming toward Marsa to thank her, her
sunburnt skin glowing a deeper red, the poor woman, with tears in her
tired eyes, and a wan smile upon her pale lips, touched, surprised,
happy in the pleasure of her children, murmured, faltering and confused:
“Ah! Madame! Madame! how good you are! You are too good, Madame!”
Public-domain text, read in full here on John Shaqi.
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