And while, with long sweeps of his arm, the chief of the Tzigani marked the measure, and the 'czimbalom' poured forth its heartrending notes, it seemed to the poor fellows gathered about that the music of the March of Rakoczy summoned a whole fantastic squadron of avengers, horsemen with floating pelisses and herons' plumes in their hats, who, erect in their saddles and with sabres drawn, struck, struck the frightened enemy, and recovered, foot by foot, the conquered territory. There was in this exalted march a sound of horses' hoofs, the clash of arms, a shaking of the earth under the gallop of horsemen, a flash of agraffes, a rustle of pelisses in the wind, an heroic gayety and a chivalrous bravery, like the cry of a whole people of cavaliers sounding the charge of deliverance. And the young Prince, gazing down upon his dead father, remembered how many times those mute lips had related to him the legend of the czardas, that legend, symbolic of the history of Hungary, summing up all the bitter pain of the conquest, when the beautiful dark girls of Transylvania danced, their tears burning their cheeks, under the lash of the Osmanlis. At first, cold and motionless, like statues whose calm looks silently insulted their possessors, they stood erect beneath the eye of the Turk; then little by little, the sting of the master's whip falling upon their shoulders and tearing their sides and cheeks, their bodies twisted in painful, revolted spasms; the flesh trembled under the cord like the muscles of a horse beneath the spur; and, in the morbid exaltation of suffering, a sort of wild delirium took possession of them, their arms were waved in the air, their heads with hair dishevelled were thrown backward, and the captives, uttering a sound at once plaintive and menacing, danced, their dance, at first slow and melancholy, becoming gradually active, nervous, and interrupted by cries which resembled sobs. And the Hungarian czardas, symbolizing thus the dance of these martyrs, kept still, will always keep, the characteristic of contortions under the lash of bygone days; and, slow and languishing at first, then soon quick and agitated, tragically hysterical, it also is interrupted by melancholy chords, dreary, mournful notes and plaintive accents like drops of blood from a wound-from the mortal wound of Prince Sandor, lying there in his martial uniform. The bronzed Tzigani, fantastically illumined by the red glare of the torches, stood out against the white background like demons of revenge; and the hymn, feverish, bold, ardent, echoed through the snow-covered branches like a hurricane of victory. They were wandering musicians, who, the evening before, had been discovered in a neighboring village by some of Jellachich's Croats, and whom Prince Sandor had unceremoniously rescued at the head of his hussars; and they had come, with their ancient national airs, the voice of their country, to pay their debt to the fallen hero.